Bord 13 by Snask, Sweden
Posted: November 30, 2015 Filed under: Cafes, Bars and Restaurants, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding & Interior Design, Branding Blog, Branding Reviews, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Snask, Designed in Stockholm, Fonts In Use: Geometric Sans-serif, From Scandinavia, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Neon Sign Design, Restaurant & Cafe Menu Designs, Restaurant Logos, Sans-serif Typography, Sign Design, Stencil Cut Logotypes, Swedish Design, The Best Brand Identities of 2015, The Best Graphic Design Work of 2015, The Best Logo Designs of 2015, The Very Best of 2015, Typography, Uncoated Papers & Cards Comments Off on Bord 13 by Snask, SwedenOpinion by Richard Baird.
Bord 13 is a restaurant, located on Malmö’s Engelbrektsgatan, with a menu that steers clear of the overfished, the modified and unnatural. It is a collaboration between chefs Robert Jacobson and Besnik Gashi, a former Souschef and a Head Sommelier from world-renowned Noma, and features a brand identity and interior design by Scandinavian studio Snask. This extended to material, lighting and furniture choices, and included menu and coaster design, branded chef whites and signage.
The Washington Post Magazine by Snask, Sweden
Posted: July 6, 2015 Filed under: Graphic Design Reviews, Publishing | Tags: Brochure Design, Campaign Design, Catalogue Design, Coloured Paper, Design For Print, Design Reviews, Design Reviews: Editorial Design, Designed by Snask, Designed in Stockholm, Editorial Design, From Europe, From Scandinavia, Graphic Design, Graphic Design Blog, Magazine Design, Magazine Spreads, Swedish Design, The Best Graphic Design Work of 2015 Comments Off on The Washington Post Magazine by Snask, SwedenOpinion by Richard Baird.
Following an extensive studio search The Washington Post, one of America’s most widely circulated newspapers, commissioned Stockholm based graphic design studio Snask to illustrate The Favorite’s Issue with a fun and tactile idea that would unite, amongst others, topics such as food and drink, music, art and the outdoors. Snask’s concept is informed by the essence and characteristics of each topic, and individually visualised through form, texture, colour, process and material variety. These are combined to create a rich cover, spread and set of single typographic panels bound by a physical crafted quality.
Swedish Handicraft Societies’ Association by Snask
Posted: December 16, 2014 Filed under: Art and Design, Fonts in Use, Logo Reviews | Tags: Brand Identity Design, Brand Identity Reviews, Branding, Branding Blog, Branding News, Branding Reviews, Business Card Design, Design For Print, Designed by Snask, Designed in Stockholm, Envelope Design, Fonts in Use: Narziss, Fonts in Use: Toledo Serial, From Scandinavia, Graphic Design Blog, Handcraft, Letterhead Design, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo News, Logotypes, New Logo, Serif Logotypes, Stationery Design, Swedish Design, The Best Brand Identities of 2014, The Best Logo Designs of 2014, Tote Bag Design Comments Off on Swedish Handicraft Societies’ Association by SnaskOpinion by Richard Baird.
Hemslöjden is a non-profit organisation that promotes craft across Sweden through courses, talks and activities. Set up in response to the advance of industrialisation, Hemslöjden has a significant 100 year history, fostering strong relationships between culture and industry to ensure the survival and development of handicraft. It is also a publisher, events organiser and acts as an umbrella for Sweden’s handicraft societies with the understanding that these, and their activities, contribute to a more sustainable way of life.
Design studio Snask worked with Hemslöjden to develop a new visual identity that would help unify a membership of over 17,000 individuals, 60 societies, 22 regional offices and 8 shops under one system, and broaden the perception of handicrafts from what the studio describe as old butter knifes and knitting to include everything made by hand.
