Vega Scene by Metric
Posted: Filed under: Art and Design, Film, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding News, Branding Reviews, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Metric Design, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Monolinear Typography, Monospaced Logotypes, Norwegian Design, Sans-serif Logotypes, Sans-serif Typography, The Best Business Cards of 2018, The Very Best Brand Identities of 2018, The Very Best of 2018, Theatre Logos, Type Foundry: Grilli Type, Visual Identity Design Blog Comments Off on Vega Scene by MetricOpinion by Richard Baird
Vega Scene is space for food and culture located on the river Akerselva in the centre of Oslo. It features three film screens, a theatre, debate lounge, an organic and sustainable cafe and a wine and cocktail bar. Vega Scene sits within an area of urban culture, features a distinctive exterior of burgundy concave panelling and vertical slats, and a visual identity of colour blocking, arrows, monospaced typeface and motion designed by Norwegian studio Metric. This visual identity links posters, neon signage, wayfinding and website, and also moves across the surface of the building.
‘Carlos Garaicoa, The Politics and Poetics of Space’ by Work In Progress
Posted: Filed under: Architecture and The Built Environment, Graphic Design Reviews | Tags: Art Gallery Logos and Brand Identities, Brand Identity Reviews, Branding Blog, Branding Reviews, Colour in Use: Blue, Design For Print, Design Opinion, Design Reviews, Designed by Work In Progress, Exhibition Design, Exhibition Logos & Brand Identities, From Scandinavia, Graphic Design, Graphic Design Blog, Norwegian Design, Sans-serif Typography, Typography Comments Off on ‘Carlos Garaicoa, The Politics and Poetics of Space’ by Work In ProgressOpinion by Richard Baird.
The exhibition ‘Carlos Garaicoa, The Politics and Poetics of Space’ brought to light and incorporates several different stories. It explored the city as a place people live and reside. It talked of the buildings that were founded on power and political ideologies. And of the ruins of those that enjoyed a former greatness or were too troubled to ever see completion. The exhibition featured a variety of art forms and techniques. These were unified by the theme of architectural perspective, which was then explored throughout graphic identity, designed by Work In Progress, using constructed points of view.