The seventh collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Graphical House, Snask, UMA and Studio8585.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here.

Gras & Groves-Raines Architects by Graphical House

Laji Hair & Make designed by UMA

Luka Žanić Photography designed by Studio8585

Pablo & Rusty’s designed by Manual

Devall & Son designed by Parent

Record Mania designed by Bedow

Estampaciones Fuerte designed by Hey

Swedish Handicraft Societies’ Association by Snask

Brass Union designed by Oat

Laji Hair & Make designed by UMA

Atelán designed by Firmalt

Theatre Royal Plymouth designed by Spy

30 Park Place New York designed by Mother

Torrefacto designed by Fork

Léon Courville Vigneron designed by lg2 boutique

Woodland Wine Merchant designed by Perky Bros

Bryan Pearson designed by Strategy

Junction Moama designed by Seesaw

Two of Us

Laji Hair & Make designed by UMA

Chavez designed by Föda

Ascui & Co. Architects designed by Grosz Co. Lab