The Best of BP&O — Business Cards No.1018 March,2016
Curated by Richard Baird.
The tenth collection of business cards reviewed and published on BP&O in, and a couple slightly prior to, 2016. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with previous sets, this includes illustration, uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Blok, Studio Brave, Mucho and Spin, plus many more. Be sure to click through to get a sense of how these fit within a broader brand identity program and the communicative intentions that underpin their design.
f32 designed by Blok
DNA development designed by Face
Richard Moran designed by Journal
Aman designed by Construct
Marquez Quevedo designed by La Tortillería
Héctor Ayuso designed by Mucho
Faymus designed by Studio Brave
Pia Ulin Photography designed by The Studio
The Practical Man designed by Garbett
Grand Ferdinand designed by Moodley
Fox Real Estate designed by Parallax Design
Have A Great Day Films designed by Hey
Österlånggatan 17 designed by Lobby Design
Bombonería Pons designed by Mucho
Equals Consulting designed by Spin
Reeves & Young designed by Matchstic
James Cohan designed by Project Projects
Researchers In Schools designed by Paul Belford Ltd.
InsideSource designed by Mucho
Cooke Curtis & Co. designed by The District
This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, and expands upon previous posts under the category The Best of BP&O. If you liked this check out The Best of BP&O – Business Cards No. 9, Business Cards No.8, & Business Cards No.7 or subscribed to this series here.
More brand identity projects that include business cards: