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Hands On: Real Review by OK-RM, United Kingdom

Opinion by Richard Baird

BP&O takes a hands on look at quarterly magazine Real Review, a collaboration between by OK-RM and Jack Self

Real Review is an award-winning quarterly magazine that pursues what it means to live today through analysis, evaluation and enquiry. It is a collaboration between London-based design studio OK-RM and editor Jack Self, the founder of architectural practice and cultural institute Real. Real Review offers wide ranging comment on a variety of topics, is presented in a compact format and mixes dense text, image and moments of space with the intention of being an efficient, economical and readable format.

In the third of an ongoing series, which follows reviews of Snøhetta’s Folk+Form and Blok’s Rain, Gravity, Heat, Cold by Blok, BP&O takes a hands on look at Real Review.

BP&O takes a hands on look at quarterly magazine Real Review designed by OK-RM created and edited by Jack Self

Real Review is curious in its breadth, in the subjects it tackles and the range of opinion, yet there is a continuity in the confidence and authority of contributors, and in the approach to its material structure and graphic design.

BP&O takes a hands on look at quarterly magazine Real Review designed by OK-RM created and edited by Jack Self

Real Review’s format takes its cues from the observation that magazines frequently end up folded in half by the reader, and responds to the architect working across quadruple page rather than double page spreads. This gives Real Review a useful compactness ideal for travelling, and an interesting material quality in its folds and low gloss uncoated paper that is robust and utilitarian. This holds a varied but systematic approach to layout.

BP&O takes a hands on look at quarterly magazine Real Review designed by OK-RM created and edited by Jack Self

There are underlying guides, yet each article has a distinctiveness in its layout. Image; in size, proportion, orientation and relationship to other images, space and blocks of text feel responsive to the thoughts and ideas being expressed. Image augments text, both in its literal content but also in its arrangement on or across pages.

Highlights include moments of commonality between the formatting of text and placement of image. How, through folds, images intersect or blank pages cover portions of image to play with perception, forming expected relationships or drawing the eye to small details within a larger picture.

Real Review designed by OK-RM created and edited by Jack Self

Real Review’s cover is immediate and memorable. It confidently juxtaposes loose illustration by Nishant Choksi with structural type, drawn from an alphabet created by British typographer and graphic designer Edward Wright who was involved, mid 20th century, in architectural lettering and signage. This is intelligent in its mix of the very human–the mind (head), a sense of insight (eyes) and creative exploration (style)–and our relationship with the built environment. This is effectively augmented by the choice of a paper, format and a bright orange and black ink. There is a pleasant continuity, variety and niche personality to the covers that feels well-suited to content and audience.

Design: OK-RM. Illustration: Nishant Choksi. Opinion: Richard Baird. Fonts: TBC.

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

Real Review designed by OK-RM created and edited by Jack Self

BP&O is looking to make Hands On a regular feature. If you have a book or magazine with an interesting subject matter, distinctive design concept and strong material quality, please get in touch.

Real Review designed by OK-RM created and edited by Jack Self

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