The Washington Post Magazine by Snask, Sweden

Opinion by Richard Baird.

Graphic design by Snask for The Washington Post Magazine's The Favourites List

Following an extensive studio search The Washington Post, one of America’s most widely circulated newspapers, commissioned Stockholm based graphic design studio Snask to illustrate The Favorite’s Issue with a fun and tactile idea that would unite, amongst others, topics such as food and drink, music, art and the outdoors. Snask’s concept is informed by the essence and characteristics of each topic, and individually visualised through form, texture, colour, process and material variety. These are combined to create a rich cover, spread and set of single typographic panels bound by a physical crafted quality.

Continue reading this article

Black Visual Archive by Fivethousand Fingers

Logo by Fivethousand Fingers for Black Visual Archive, an on-line collection of critical texts on African American artists

Founded in 2010 by Meg Onli, Black Visual Archive is an on-line collection of “critical writings that contextualise the work of African American artists through historical and visual history”, and is “dedicated to the documentation and review of contemporary black and post-black visual culture” through the release of “regular texts on contemporary artists, works and exhibitions.”

Continue reading this article

Alquimie designed by Thought Assembly

Logotype and white ink, warm grey business card designed by ThoughtAssembly for quarterly beverage magazine Alquimie

“Released quarterly as a printed magazine, Alquimie is a written emulsion of alcoholic and non-alcoholic drinks. Covering wine, beer, spirits, bitters, coffees and other solutions of interest; Alquimie explores the liquids themselves — their origins and stories. Working with photographer James Morgan, the inaugural edition of Alquimie included over 160 images across 152 pages.” – Alquimie

Melbourne based graphic design and visual communications studio ThoughtAssembly, responsible for developing and managing Alquimie’s name, brand identity, print and art direction, utilise the thick white ink and warm concrete grey substrate of the business cards, a traditional, open, hand-sewn detail of the magazine, tinted photography and the well spaced uppercase serif characters of the logotype to hint at the history and craft the publication looks to uncover, its authority and high quality.

Continue reading this article