LogoArchive – Logo Redux by Darren Leader
Posted: Filed under: BP&O Publications, Graphic Design History, Publishing | Tags: Book & Magazine Cover Design, Creasing in Print, Design For Print, Design Reviews: Editorial Design, Editorial Design, Logo Design Inspiration, Logo Design Resource, Logo Designs, Magazine Design, Magazine Review, Magazine Spreads, The Best Design for Print 2021 Comments Off on LogoArchive – Logo Redux by Darren Leader 
LogoArchive returns with its fifth collaborative Extra Issue: Logo Redux, dedicated to the fascinating theme of Renaissance printers’ marks. These marks, many drawn from the 15th century, appear somewhat modernist in nature. As such, this Extra Issue functions as a “prequel” to previous LogoArchive issues, and positions printers’ marks as a precursor to the modernist corporate trademarks of the mid-century.
Conceptualised by designer, educator and researcher Darren Leader, working in collaboration with Unlocking The Archive, the University of East Anglia and editor Richard Baird, this Extra Issue intends to revive interest in printers’ marks and the inventive typography of renaissance publishing.
Logo Redux is a Limited Edition run, these can be ordered at logoarchive.shop.
LogoArchive – Akogare 憧れ by Hugh Miller
Posted: Filed under: Art and Design, BP&O Publications, Graphic Design History, Graphic Design Reviews, Publishing | Tags: Book & Magazine Cover Design, Creasing in Print, Design For Print, Design Reviews: Editorial Design, Editorial Design, Logo Design Inspiration, Logo Design Resource, Logo Designs, Magazine Design, Magazine Review, Magazine Spreads, The Best Design for Print 2020 Comments Off on LogoArchive – Akogare 憧れ by Hugh Miller 
LogoArchive returns with its fourth collaborative Extra Issue and first bi-lingual release, documenting the forms of Japanese logo design. Through the distinctive smaller format of the bound booklet LogoArchive seeks to surprise and delight with each new issue, introducing new collaborators to offer unexpected interpretations of the ubiquitous logo book. For this Extra Issue, Hugh Miller orchestrates graphic impact and material nuance to honour the unique visual legacy and craft associated with Japan. In addition, the words of Tokyo-based designer and writer Ian Lynam, and his assistant Iori Kikuchi, offer an introduction into Japanese symbols.
LogoArchive の第4号目となる増刊号で は、日本のロゴデザインの形を記録し た 初 の バ イ リ ン ガ ル 版 を 発 行 し ま す 。小 冊子という独特のフォーマットを通し て、LogoArchive は毎号、新しいコラボレ ーターと共に、お馴染みのロゴブックへ の思い掛けない解釈を提案しながら、驚 きと喜びを追求しています。
今号では、Hugh Miller (ヒュー・ミラー) が、グラフィックのインパクトと素材のニ ュアンスの交差点を探り、日本にまつわ るユニークな視覚的遺産と工芸品を称 えています。さらに、東京を拠点に活動す るデザイナーであり作家でもあるイエン・ ライナムと、彼のアシスタントである菊地 伊織の言葉で、日本のシンボルを紹介し ています。
Freigeist Zine Issue 3
Posted: Filed under: BP&O Publications, Graphic Design Reviews, Material & Print Specs, Publishing | Tags: Book & Magazine Cover Design, Book & Magazine Design, Freigeist Zine, Magazine Design, Magazine Spreads Comments Off on Freigeist Zine Issue 3 
Freigeist was a popular concept within 18th Century German literature and journalism. It was used to describe those who believed that thinking should not be constrained by certain fundamental and non-contestable values, traditional ideas and established channels of distribution. The concept of the “free-spirit” and of free-thinking is also a recurring theme within Nietzsche’s own philosophy. Although, at first glance, the Freigeist concept may appear as lacking complexity, Nietzsche found a philosophical significance within it. To him, it was more than an invocation towards individuality and the subversion of expectation but the search for and liberation of a spirit. In this third issue of Freigeist, conceptualised, designed and edited by Richard Baird and published by BP&O, the search for that spirit continues in the form of a lecture-turned-zine. This lecture was delivered to the Falmouth MA Graphic Design program in 2020.
Freigeist and LogoArchive Zines are available to order from LogoArchive.Shop.
