Salbini by Studio Brave
Posted: Filed under: Fonts in Use, Home and Garden, Logo Reviews, Material & Print Specs | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding News, Branding Reviews, Condensed Logotypes, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Studio Brave, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Sans-serif Logotypes, Sans-serif Typography, The Best Brand Identities of 2019, The Best Business Cards of 2019, Type Foundry: Klim Type Foundry, Visual Identity Design Blog Comments Off on Salbini by Studio BraveOpinion by Richard Baird
Salbini, formerly Fesal, is an online retailer of premium European furniture and appliances based in southern Italy and shipping internationally. It deals in both one-off purchases and tailoring for large commercial projects, offering both local and global brands. Fesal comissioned Studio Brave to rename and refresh its brand and overhaul its online store. While the project features revisions to type and the introduction of colour, it is the combination of cropped imagery shot by Traianos Pakioufakis and high quality material choices that stand out as a simple and compelling of articulation of craft, quality and elegance. These images link printed materials such as post cards, business cards, letterhead and certificate sleevers with a redesigned e-commerce website.
Baluna by Grupa by Bunch
Posted: Filed under: Art and Design, Fonts in Use, Graphic Design Reviews, Material & Print Specs | Tags: Blind Emboss, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding News, Branding Reviews, British Design, Design Blog, Design News, Design Opinion, Design Reviews, Designed by Bunch, Designed in London, Die Cut Design Detail, Form Language, Furniture Design Logos, Graphic Design, Graphic Design Blog, Typography, Uncoated Papers & Cards, Visual Identity Design Blog Comments Off on Baluna by Grupa by BunchOpinion by Richard Baird.
Grupa is an award-winning design studio and manufacturer of handmade furniture and lighting products for home, office and hospitality spaces. Building on over a decade worth of experience Grupa branched out into own brand products in 2012.
From drawing board to design and development, production, packaging and distribution, the company has developed a total design philosophy and a product range that brings together and expresses everything that inspires the team at Grupa. Their products are distinguished by an innovative and concise material and form language, a clear functionality and a flexibility of situation and movement. Baluna, a free-standing or wall and ceiling-mounted light captures this spirit. Its silent dimmer, blown glass opal diffuser and LED bulb deliver a consistent level of light dispersion while a telescopic bar and 360-degree rotational axis offer swift and broad adjustments.
To promote Baluna Grupa worked with graphic design studio Bunch to develop a communications pack and packaging. This takes the distinctive interplay of light and shadow, form and surface, flexibility and utility that characterises the light and develops a distinctive graphic and material expression.
Lukas/Markus – Kalle Sanner by Lundgren+Lindqvist
Posted: Filed under: Architecture and The Built Environment, Graphic Design Reviews, Material & Print Specs, Photography | Tags: Blind Emboss, Book & Magazine Cover Design, Book & Magazine Design, Design Blog, Design For Print, Design Reviews: Editorial Design, Designed by Lundgren+Lindqvist, Editorial Design, Fabric Covers, Fedrigoni Papers & Boards, Foil Blocking, From Scandinavia, G.F Smith Papers & Boards, Graphic Design, Graphic Design Blog, Swedish Design, The Very Best of 2018 Comments Off on Lukas/Markus – Kalle Sanner by Lundgren+LindqvistOpinion by Richard Baird
Lukas/Markus is a decade-long photographic project by Kalle Sanner shot with a large format camera and exploring the mirrored and connected chapels of Saint Lukas and Saint Markus designed by architect Sven Brolid. The structure was built during the 1960s, a period when Swedish functionalism was at its height, and is located in the Western Cemetery of Gothenburg.
The book, released May 2018 and co-published by ll’Editions and Blackbook Publications, exists in two versions. The first is an 82 page cloth-bound hardcover trade edition that measures 200 x 223 mm and the second is a special edition housed within a handmade clamshell box that includes an embroidered handkerchief and one of three c-prints signed and numbered by the photographer. Both of these books were designed by Scandinavian studio Lundgren+Lindqvist.
