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Emma Magnusson Arkitektur by Lundgren+Lindqvist, Sweden

Opinion by Richard Baird.

Brand identity, business cards and bespoke stationery boxes for Emma Magnusson Arkitektur by Lundgren+Lindqvist, Sweden

Emma Magnusson is an architect working from the Swedish city of Gothenburg primarily on private commissions and occasionally with larger corporate clients. These have included Benify and Warner Music. Scandinavian graphic design studio Lundgren+Lindqvist recently worked with Emma to craft a new visual identity. Drawing on some architectural staples such as space and materiality, and working in the systematic and the playful, Lundgren+Lindqvist’s identity work for Emma intends to visually articulate the personable but professional approach she takes to her work. The project included monogram and stationery design, business cards, bespoke stationery boxes and website.

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Allsorts Black & White Edition by Bond, Finland

Opinion by Richard Baird.

Packaging for liquorice brand Allsorts Black & White by Bond

Bond continue to work with Scandinavian confectionery brand Cloetta, owner of liquorish brand Allsorts, on the packaging for their Allsorts Black & White edition. The packaging for Allsorts’ originals range looked to bring the distinctive shapes and colours of the liquorice to the forefront using geometric forms and bright colour, enhanced by the black background of a simple card box. It was an approach rightly described by Bond as being bold and playful.

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Faust by Snøhetta, Norway

Opinion by Richard Baird.

Brand identity, stationery and custom typeface by Snøhetta for Oslo-based high-end shoemaker Faust

Faust is a high-end shoemaker with its first signature store located in Oslo’s Barcode area. The shop is a small but impressive space consisting of five concrete niches and large carved wooden doors. Faust worked with Scandinavian studio Snøhetta to create both interior and brand identity. This was based around the The legend of Faust from the Renaissance, its basis for many literary, artistic, cinematic and musical works through the ages, and Faust as an ambitious person who surrenders moral integrity in order to achieve power and success. These served as historical reference points, taking a look back at a period where all shoes were handmade and bespoke. This then informed the calligraphic strokes of signage, wordmark and custom typography, is seen in the materiality of identity across stationery, business cards and packaging, and in the wood and vaulted forms of interior design.

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