Vestre Anniversary Book by Snøhetta, Norway
Posted: Filed under: Art and Design, Graphic Design Reviews, Material & Print Specs | Tags: Book & Magazine Design, Branding & Packaging of 2017, Coloured Paper, Design Blog, Design For Print, Design Reviews, Design Reviews: Editorial Design, Designed by Snohetta, Die Cut Design Detail, Editorial Design, From Scandinavia, Graphic Design, Graphic Design Blog, Norwegian Design Comments Off on Vestre Anniversary Book by Snøhetta, NorwayOpinion by Richard Baird
Vestre is a Norwegian, family-owned and run, furniture design and manufacturing business celebrating its 70th anniversary this year. Vestre’s extensive catalogue is characterised by an intersection between convivial colour detail, modern forms and long-lasting build. Snøhetta, who previously worked with Vestre on the development of a production facility in 2013, and the refurbishment of the company’s headquarters and showroom in 2017, continue to work with the business, this time on Folk+Form, an exhibition and two-volume book that intends to bring to life the Vestre family legacy.
Carlsberg Black Gold by Kontrapunkt, Denmark
Posted: Filed under: Food and Drink, Graphic Design Reviews, Packaging Reviews | Tags: Alcohol Packaging, Beer Packaging, Best Packaging Designs, Branding & Packaging of 2017, Creative Packaging, Danish Design, Design Blog, Design For Print, Design Opinion, Design Reviews, Designed by Kontrapunkt, Designed in Copenhagen, From Europe, From Scandinavia, Graphic Design, Graphic Design Blog, Minimal Design, Minimal Package Design, Packaging Company, Packaging Design, Packaging Design Blog, Packaging Design Resource, Packaging News, Packaging Shortlist 2017, Sans-serif Typography, The Best Graphic Design Work of 2017, The Very Best of 2017, The Very Best of BP&O, Typography Comments Off on Carlsberg Black Gold by Kontrapunkt, DenmarkOpinion by Richard Baird
Carlsberg is a Danish beer brand founded in 1847 by J.C. Jacobsen. It is part of the Carlsberg Group portfolio which also includes Tuborg, Kronenbourg and Somersby cider, as well as Carlsberg Export and Carlsberg Black Gold. Carlsberg has a significant heritage. And, like many other beer brands, has largely conveyed this using the visual language and associated legacy of the beer bottle label, which then made it on to cans.
Carlsberg has begun a steady move towards a more current visual expression. This is characterised by a concise communicative intention and a stylistic minimalism. This can be seen, initially, in the packaging design of the Carlsberg can for the German market, created by Copenhagen-based studio Kontrapunkt, and in the redesign of Carlsberg Black Gold, also by Kontrapunkt. Black Gold is a dark pilsner, brewed in the same manner as Carlsberg’s premium variety, only for longer, giving it a richer flavour profile and higher alcohol content. This difference is conveyed immediately using a black and gold print finish.
Kristin Jarmund Architects by Snøhetta, Norway
Posted: Filed under: Architecture and The Built Environment, Fonts in Use, Graphic Design Reviews, Logo Reviews | Tags: Architecture Logos, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Business Card Design, Colourful Business Cards, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Snohetta, Fonts in Use: Replica, From Scandinavia, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, Logotypes, Monolinear Typography, Sans-serif Typography, Stationery Design, The Best Architecture Logos, The Best Business Cards of 2017, The Very Best Brand Identities of 2017, The Very Best of BP&O, Type Foundry: Lineto, Typography, Uncoated Papers & Cards, White Block Foil, Wordmark Design Comments Off on Kristin Jarmund Architects by Snøhetta, NorwayOpinion by Richard Baird
Kristin Jarmund Architects is an oslo-based architectural studio with a design philosophy that is focused on using a simplicity of form and a clarity of purpose to address complex problems, while at the same time, allowing for a contextual and human sensitivity. Reduction, as well as the duality inherent to the studio’s work, was the founding principles of their new visual identity, created by Scandinavian studio Snøhetta. This can be seen in the juxtaposition of type and image, and the recurring motif of extracts within both of these.
