The eighth collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Bedow, Bunch, Spin and Mucho.

This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here.

Husler & Rose designed by Post

Markus Form designed by Lundgren+Lindqvist

Ogeborg designed by Kurppa Hosk

Background designed by Campbell Hay

Masala designed by Hardy Seiler

Ona designed by Mucho

Belle Epoque designed by Mind Design

Balclis designed by Mucho

Kate Wallich designed by Shore

Stone Way Cafe designed by Shore

Mona de Castellarnau designed by Anagrama

Marco Marco by Acre

Urban designed by Forma & Co.

CC Bar designed by Freytag Anderson

NIDA designed by Maud

Redscout designed by Franklyn

Adisgladis designed by Bedow

Decontoured designed by Bunch

Simon Pengelly designed by Spin

Husler & Rose designed by Post