BPO


Nunchi by Bedow

Opinion by Richard Baird.

Nunchi is an Italian startup and the vision of Cedric Naudon, a self-confessed gastronome. This follows his ambitious project to create an entirely new creative neighbourhood of restaurants, fashion boutiques and design stores in Le Marais, Paris.

Nunchi intends to frame and connect all of Cedric Naudon’s gastronomic projects. The first of which is a reimagining of Edouard Nignon’s classic cookbook L’Heptameron des Gourmets, originally published in 1919 and now a rare collector’s item. This new edition brings the unique collection of recipes and stories to a contemporary audience by way of a unique collaboration with box, textile and paper makers, engravers and printers. This is accompanied by a second book, La Dive Cocagne, which gives the reader valuable insights into the creation of L’Heptameron des Gourmets.

Nunchi’s visual identity, designed by Swedish studio Bedow, establishes a graphic framework and continuity for all of the projects that will fall under the Nunchi brand. Both L’Heptameron des Gourmets and La Dive Cocagne serve as the first surfaces in which identity begins to reveal itself, the former being a rigorous exploration of design and artist craft and collaboration, a form of Gesamtkunstwerk, and the latter providing insight into this unique confluence of skills, also brought to life through short-form documentaries. Bedow were responsible for visual identity and the art direction and design of both books.

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Hands On: Migrant Journal No.5 by Offshore Studio

Opinion by Richard Baird.

Migrant Journal No.5 Micro Odysseys edited by Justinien Tribillon, Michaela Büsse and Dámaso Randulfe, co-edited and designed by Offshore Studio

Migrant Journal is a six-part exploration of migration in all its forms. It covers, as you might expect, the current and pressing political and socio-cultural implications of the mass migration of people, yet also delves deeper into the more abstract movement of ideas, power and information around the globe. Migrant Journal, in its breadth but a continuity of theme, intends to reclaim the word migration, to break free from prejudice and cliché.

This is a hands-on review of Migrant Journal No.5 its themes and how these manifest themselves visually and materially. This issue, Micro Odysseys, explores microscopic entanglements, invisible movements, tiny particles, imperceptible matter and antimatter. For thoughts on Migrant Journal as a total project, check out BP&O’s review here.

Migrant Journal began as a Kickstarter project and is edited by Justinien Tribillon, Michaela Büsse and Dámaso Randulfe, co-edited and designed by Isabel Seiffert and Christoph Miler of Offshore Studio.

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Speculations On Anonymous Materials by Zak Group

Opinion by Richard Baird

Catalogue by Zak Group for a trilogy of exhibitions that explore the theoretical lines separating the natural from and the artificial at Fridericianum

Speculations on Anonymous Materials (2013), nature after nature (2014) and Inhuman (2015) is a trilogy of exhibitions, curated by Susanne Pfeffer, that took place at Fridericianum, Europe’s oldest public museum, located in the German city of Kessel. The exhibitions, which mark the institution’s turn towards post-humanist thinking, intended to demonstrate how current artistic practices shift the theoretical boundaries separating the natural from the artificial. London-based design studio Zak Group was recently commissioned to catalogue the trilogy of exhibitions, which was then published by Koenig Books. The catalogue is set in German and English, has 220 pages and features three metallic spot colours.

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