Selected by Richard Baird.
A collection of distinctive business cards designed as part of a broader brand identity programme, reviewed and published on BP&O. Between them, these bring to light how colour, type, form, layout and contrast, as well as material choice and print finish, contribute to a distinctive and expressive visual identity.
This set includes fluorescent ink, dyed papers and folds, illustration and striking pattern. Featured studios include Order, Bond and Spin. Click through to get a sense of how these fit within a broader brand identity program and the communicative intentions that underpin aesthetic choices.
This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, and expands upon previous posts under the category BP&O Collections. If you liked this check out – Business Cards No.16, Business Cards No.15, & Business Cards No.14, or subscribe to this series here.
The Best Awards is an annual celebration of interactive, graphic, product and spacial design work from New Zealand and Australia, run by The Designer’s Institute. This year’s event took place on Friday the 4th October at Auckland’s Spark Arena where winning studios where awarded a Gold Pin for best in category, a Supreme Pin for best in discipline or a Purple Pin for those considered to have raised the bar of design.
Other awards include The John Britten Black Pin, which will be given to an individual for their leadership, vision and achievements nationally and internationally, and The Designer’s Institute of New Zealand Black Pin for Outstanding Achievement. This will be awarded to a member who has made a lasting and valuable contribution to the design profession and design culture in New Zealand. The judges for each catagory can be seen here.
To coincide with the publication of the winners BP&O looks back at those projects reviewed on the site and picking up awards in October.
Selected by Richard Baird.
A continually updated collection of some of the best graphic identity design work created for theatres, reviewed and published on BP&O. This post features work by Pentagram, Studio fnt and Spy, and includes projects that cover programmes and posters, but also those that included supergraphics and wayfinding.
These share a strong visual impact and a graphic immediacy in the contrast of colour, type and form. Some are codified while others shift, capturing the unique creative direction of each season. For the most part, these are rooted in a compelling concept such as Paula Scher’s ongogoing work for Atlantic Theater and Public Theater. Be sure to click the images to read more about the project, the intentions of each design, and how these work alongside other assets.
This post was published as a quick way to browse through BP&O’s content and get access to older but equally interesting projects through different themes, and expands on previous posts under the category The Best of BP&O. This series can be subscribed to here.