A continually updated gallery of graphic identity work and design for print, reviewed and published on BP&O, that feature fluorescent inks and boards. This post includes work by Bunch, Pentagram and Bond, and covers a variety of projects, from books and campaigns to branding and packaging. Highlights include Bunch’s balancing of past and present through colour and type, the cheerful personality delivered through a striking green for a book on Eero Aarnio by Bond and the colour language of activism employed by Paul Belford Ltd. Between them, these express how fluorescent inks and papers can be used to create drama, contrast and immediacy, deliver a conviviality and distinctiveness, and through restraint, elevate the often low-cost associations of fluorescents to that of the elegant and sophisticated.

Supertrash by Seachange

Atlantic Theater 2018 – ’19 Season by Pentagram

Unfolded by Commission

Migrant Journal No.5 by Offshore Studio

Korea International Art Fair 2018 by Studio fnt

REVOLT by Paul Belford Ltd.

Eero Aarnio by Bond

Basement Theatre by Studio Alexander

STRP Biennial by Raw Color

L’Heure du Cocktail by Spin

Shakespeare In The Park 2018 by Pentagram

ShopAround by Design by Toko

Center for the Study of Political Graphics by Blok

V&A Exhibition Road Quarter by dn&co.

Buk Seoul Museum of Art 2018 Season by Studio fnt

Galerija Kranjčar by Bunch

Sakki by Bond

Roger Burkhard by Lundgren+Lindqvist

University of the Arts Helsinki by Bond

Simon Pengelly by Spin

Casa Bonay by Mucho

Here East by dn&co.

Cult 20 Years, Event & Exhibition by Toko

Antenne Books by OK-RM

Tapped Birch Water by Horse

Latin American Design Festival by IS Creative Studio

The Counter Press

PLATF9RM by Studio Makgill

Rimowa by Commission