Jackalope Hotels by Fabio Ongarato Design, Australia
Posted: October 12, 2017 Filed under: Cafes, Bars and Restaurants, Graphic Design Reviews, Leisure and Tourism, Logo Reviews, Material & Print Specs | Tags: Black Block Foil, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Business Card Design, Colorplan Papers and Boards, Coloured Paper, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Fabio Ongarato Design, Designed in Melbourne, Die Cut Design Detail, From Australia, G.F Smith Papers & Boards, Gloss Ink, Gold Foil, Graphic Design, Graphic Design Blog, Hotel Logos, Interior Design, Leather Detail, Leather Menu Cover, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Print Finishing, Restaurant & Cafe Menu Designs, Restaurant Logos, Sans-serif Typography, Stationery Design, The Best Graphic Design Work of 2017, The Very Best Brand Identities of 2017, Thermographic Ink, Typography, Wordmark Design 4 Comments »Opinion by Richard Baird
Jackalope Hotels is a luxury hospitality experience developed by Melbourne-based Louis Li, a hotelier described as having a penchant for the avant-garde. The first Jackalope Hotel is situated in the heart of the Mornington Peninsula, Victoria, Australia. It is unique in its location, surrounded by the hotel’s vineyard, in its architecture and interior by Carr Design, and in its visual identity, created by Fabio Ongarato Design.
Interior design and visual identity are linked by the theme of alchemy – a metaphor for winemaking, a core part of the business, and expressed in the juxtaposition of visual and material elements to create a new whole. These include the hybrid qualities of the Jackalope sculpture by Emily Floyd, the mixed techniques employed by artist Kate Robertson, and the polished layers of stone and carved busts of Rolf Sachs. This also extends to the visual identity for hotel, its restaurant and bar, in the combination of paper and finish, organic image and precise typographical and geometric forms.
The Broadview Hotel by Blok, Canada
Posted: August 29, 2017 Filed under: Graphic Design Reviews, Leisure and Tourism, Logo Reviews | Tags: Black Block Foil, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Business Card Design, Canadian Design, Coaster Design & Beer Mats, Condensed Logotypes, Condensed Typography, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Blok, Fonts in Use: Grouch, Fonts in Use: GT Sectra, Fonts in Use: Neuzeit, From Toronto, Graphic Design, Graphic Design Blog, Hotel Logos, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, Logotypes, Sans-serif Typography, Stationery Design, The Best Graphic Design Work of 2017, The Very Best Brand Identities of 2017, The Very Best of 2017, Type Foundry: Grilli Type, Typography, Wordmark Design Comments Off on The Broadview Hotel by Blok, CanadaOpinion by Richard Baird.
The Broadview Hotel is located within one of Toronto’s most recognisable architectural landmarks. This was built in 1891 by a wealthy businessman who recognised the strategic importance of the East End as the city was expanding. It has been home to a business centre, acted as a political and social hub, and used as a hotel, boarding room and more recently, a strip club.
The building, over the last two years, has undergone extensive restoration and renovation, and now features a distinctive glass structure and new floor on the roof. This was done with great consideration for the original architectural details. Interior design, created by DesignAgency is inspired by the local community and is infused with a contemporary yet old-world grace. The hotel is made up of public spaces and 58 private bedrooms. These are peppered with what is described as a witty eclecticism that pays homage to the building’s past, with certain rooms featuring the original brass poles from the strip club. These homages are set alongside modern finishes and amenities.
Canadian graphic design studio Blok worked with the hotel to develop a visual identity that would embrace and express the building’s contemporary new voice, possess a similar wit and attitude, and finally acknowledge and celebrate the hotel’s East End roots. This is achieved in the contrast and collision of image and type, emphasised by a simple colour palette, and in the variety of secondary typefaces. This run across and links a plethora of printed assets. These included business cards, menus and coasters as documents here, but also wayfinding and signage.
Sant Francesc by Mucho, Spain
Posted: March 2, 2017 Filed under: Graphic Design Reviews, Leisure and Tourism, Logo Reviews | Tags: Blind Emboss, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Business Card Design, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Mucho, Fonts in Use: Linotype Brewery, Geometric Pattern, Graphic Design, Graphic Design Blog, Hotel Logos, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, Logotypes, Material Thinking, Patterns, Retail Logos, Sign Design, Spanish Design, Stationery Design, The Best Business Cards of 2017, The Best New Logo Designs of 2017, The Very Best Brand Identities of 2017, The Very Best of 2017, Typography, Uncoated Papers & Cards, Wood Menu Cover, Wordmark Design 8 Comments »Opinion by Richard Baird.
Sant Francesc is a 5-star hotel located in the Placa Sant Francesc, beside the Church of the Templarios, within the city of Palma on the Spanish island of Mallorca. The hotel is set inside the walls of a restored historical landmark built in a neoclassical style during the 19th century and has 42 rooms and suites. Some of these rooms include wood-beamed ceilings, original frescos and moldings but also feature modern renovation, furnishings and interior design.
Drawing on the symbol of the Templarios, and taking inspiration from the colours and textures of the island, design studio Mucho developed a brand identity for the hotel that conveys something of its modern urban interior, its history and location. This comes through in type and marque, colour and pattern, and in the variety and combination of materials across brochures, stationery, business cards, menus and signage.
