BBC Creative by Spin, United Kingdom
Posted: Filed under: Logo Reviews, Television and Radio | Tags: Animated Logos, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2018, Branding Agency, Branding Blog, Branding Reviews, Design Blog, Design News, Design Opinion, Design Reviews, Designed by Spin, Designed in London, From the United Kingdom, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, New Logo, Supergraphics, The Best Graphic Design Work of 2018, The Best Logo Designs of 2018, The Very Best Brand Identities of 2018, The Very Best of 2018 Comments Off on BBC Creative by Spin, United KingdomOpinion by Richard Baird.
With the intention of being the most creative organisation in the world the BBC has developed its own in-house agency, BBC Creative, to develop cross-platform marketing materials such as trails and idents to engage with a global audience and bring to their attention the vast range of BBC programmes and services available. To express this unified vision and creative potential, BBC Creative worked with London based studio Spin to develop their graphic identity. Drawing on the iconic three blocks associated with the BBC, Spin introduce a fourth, a creative box and abstract C as a way to form a critical and essential relationship between the BBC and creative thinking in a concise and dynamic manner. This is deployed as small details across mugs and tote bags all the way up to supergraphics.
Spanjorskan by Lobby Design, Sweden
Posted: Filed under: Cafes, Bars and Restaurants, Logo Reviews | Tags: Animated Logos, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2018, Branding Agency, Branding Blog, Branding Reviews, Coaster Design & Beer Mats, Design Blog, Design News, Design Opinion, Design Reviews, Foil Blocking, Gold Foil, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, New Logo, Restaurant & Cafe Menu Designs, Serif Logotypes, Sign Design, Typography Comments Off on Spanjorskan by Lobby Design, SwedenOpinion by Richard Baird
Spanjorskan is a Spanish restaurant located at Nybrogatan 42, Stockholm. It features a distinctive interior of warm and traditional detailing, a mix of wood, tiling and comfortable upholstery, and modern elements of exposed utilities, solid blocks of colour and feature lighting. Spanjorskan also has a distinctive menu with a sense of the theatrical and celebratory to it in colour, presentation and serving, one that is made up of large shared dishes presented with a favour for the bold and dramatic. This sense of interior character and food theatre also runs throughout the restaurant’s graphic identity, designed by Swedish studio Lobby Design. This links signage and website, and runs across menus, matchboxes and coasters.
Tale London by Two Times Elliott, United Kingdom
Posted: Filed under: Architecture and The Built Environment, Fonts in Use, Interior Design, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2018, Branding Agency, Branding Blog, Branding Reviews, Canadian Design, Coloured Paper, Copper Block Foil, Design Blog, Design News, Design Opinion, Design Reviews, Designed by Two Times Elliott, Designed in London, Fonts In Use: Beausite, Fonts in Use: Theinhardt, From the United Kingdom, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, Mixed Fibre Materials, New Logo, Paper Marquetry Business Cards, Poster Design, Serif Logotypes, The Best Business Cards of 2018, The Best Graphic Design Work of 2018, The Best Logo Designs of 2018, The Very Best Brand Identities of 2018, Typography Comments Off on Tale London by Two Times Elliott, United KingdomOpinion by Richard Baird
Tale London creates photorealistic renderings for both interior design and architectural clients across a diverse range of projects, from the traditional and rich to the modern and simple. Their sensitivity to both exterior structure and interior materiality, as well as associated considerations and a stylistic breadth is expressed by Tale London’s visual identity, designed by Two Times Elliott, in the graphic and the material, the way the two intersect and a system that affords Tale London a visual variety across different channels of communication.
