Entrée by Saint Urbain
More than three years since the outbreak of the Covid pandemic, we’re in a strange situation when it comes to all the things that flourished due to lockdown – grocery delivery services like Getir, et al; streaming services that poured literally billions into what once seemed like a never-ending gold-rush of content-consumption; flashy home-centric lifestyle brands like Peloton. Indeed, the...
Loot by Seachange
Where have all the simple playful ideas gone? You know the ones, a bit of wit, spun into a multitude of playful expressions across a number of different touch-points? Design craft has gotten so good over the last few years, but I miss the smile-in-the-mind stuff. Paul Belford’s New Chapter, Seachange’s Think Packaging and Mucho’s Art Walk. They’re not strategic...
Ark by OMSE
I’m a sucker for Yves Klein blue, and fun typography, which can mask a multitude of sins. But even these crumbs of visual joy can’t overshadow the reality that paying £1500 per month for an ‘all inclusive studio’ – essentially a space smaller than most hotel rooms, with a microwave that a tall person could probably operate with their toe...
Woven by Adam Smith by Magpie
Coworth Park is a grand 18th-century manor-house-turned-luxury-spa-hotel, set among a profusion of wildflowers in a sumptuous patch of Berkshire countryside. It’s part of the Dorchester Collection: ten prestigious hotels scattered across the world, all owned (through the Brunei Investment Agency) by Hassanal Bolkiah ibni Omar Ali Saifuddien III, the Sultan of Brunei. Bolkiah rules as an absolute monarch, and personally...
Natural History Museum by Pentagram & Nomad
If you grew up in the UK, the Natural History Museum is likely synonymous with two things: the massive blue whale suspended from the ceiling, or the equally large diplodocus skeleton. For many British kids, the museum is a childhood staple – either from school trips, or days out with parents who, rather savvily, combine a widespread fascination among youngsters...
BP&O Voices
Rich Baird on Design History:
Olivetti by Walter Ballmer, Hans von Klier, Clino Castelli & Perry King, 1971
The history of Walter Ballmer’s 1971 logo for Olivetti....
Florentia Village by DNCO
On first hearing, ‘Florentia Village’ is a ridiculous name for a warehouse complex in South Tottenham, as if Hyacinth Bouquet had somehow risen from the grave and gained a seat on the borough council in order to render floridly Italianate a grimy chunk of East London. However, the name does in fact arise from an organic nomenclatural etymology: indicating ‘flourishing’ or...
Fergus by Principal Studio
Organic food brands often land in the same visual territory as many vegan and eco-conscious counterparts – but when did the pursuit of consumer trust become so entwined with muted colour palettes, illustrated veg and rustic textures? There’s nothing inherently problematic with this combination of design elements, yet it has become a tired and overused formula for brands operating in...
Scapegoats by Strategy
‘Landscaping legends’, what a lovely bit of alliteration and a decent bit of positioning by Strategy for Scapegoats, a New Zealand-based landscaping company. From this, a wonderful tapestry of iconography, illustration and words come to life to construct something of a horticultural mise-en-scène of craft and creativity for Scapegoats duo Kylie and Reuben and their team, which plays out across vehicle...
ZVYK by .Oddity Studio
Most people agree that demarcations like ‘millennial’, ‘Gen Z’ and ‘Gen X’ are redundant – little more than age brackets created for the convenience of marketing teams which have become shorthand for a series of traits we’re expected to believe somehow define an entire generation. It’s curious, then, that for every diatribe against such groupings there’s at least ten more...
BP&O Voices
Mark Paton on Sustainability:
Materiality v Materialism: A Love Letter to Paper
A guest article and love letter to paper written by Mark Paton. BP&O Voices presents the opinions of industry experts on a wide range of topics....
Future Observatory by SPIN Studio
SPIN Studio continues its working relationship with the Design Museum (after branding its Waste Age exhibition in 2021 and Wim Crouwel’s first UK retrospective in 2011) by putting its inimitable spin (this won’t happen again, I promise) on Future Observatory, the museum’s ‘national research programme for the green transition’. Perhaps more so than any other studio working today, SPIN has...