Osofor by Paul Belford Ltd.
Posted: Filed under: Fashion, Logo Reviews | Tags: Blind Emboss, Brand Identity Reviews, Branding & Packaging of 2018, Branding Blog, Branding Reviews, British Design, Coloured Paper, Design Blog, Design For Print, Design Opinion, Design Reviews, Designed by Paul Belford Ltd, Edge Painted Detail, Graphic Design, Graphic Design Blog, Jewellery Logos, Logo Design & Branding Blog, Logos, Logotypes, Minimal Design, Minimal Logos, Minimal Package Design, Minimalist Brand Identities, Retail Logos, Sans-serif Typography, Stationery Design, The Very Best of 2018, Type Play, Typography, Wordmark Design Comments Off on Osofor by Paul Belford Ltd.Opinion by Richard Baird.
Osofor will be a digital-first and lab-grown diamond jewellery business able to create stones of any shape and cut. It will offer a modern and sustainable luxury brand to those who desire the material qualities of diamonds without the environmental and sociological impact. Osofor intends to distinguish itself further by fusing enduring aesthetic desirability and artisanal practice with experimental materials, unexpected production processes, a highly-personalised service and a “beautifully-designed immersive online experience”.
The business is currently at the stage of product development; working with scientists, material technologists and inventors to develop a carefully-crafted launch collection. Paul Belford Ltd. was commissioned by Osofor to develop its graphic identity. This is characterised by a variety of cut stone-like symbols, faceted stationery and an animated visual gesture online that refracts the white light of an uppercase sans-serif logotype. This links website splash page, business cards, letterhead and packaging.
Maison De Greef 1848 by Base Design
Posted: Filed under: Fashion, Graphic Design Reviews, Logo Reviews, Packaging Reviews | Tags: Brand Identity Reviews, Branding & Packaging of 2018, Branding Blog, Branding Reviews, Coloured Paper, Design Blog, Design For Print, Design Opinion, Design Reviews, Designed by Base, Graphic Design, Graphic Design Blog, Jewellery Logos, Logo Design & Branding Blog, Logos, Logotypes, Minimal Design, Minimal Logos, Minimalist Brand Identities, Retail Logos, Sans-serif Typography, The Best Graphic Design Work of 2018, The Best Logo Designs of 2018, The Very Best Brand Identities of 2018, The Very Best of 2018, Type Play, Typography, Wordmark Design Comments Off on Maison De Greef 1848 by Base DesignOpinion by Richard Baird.
Maison De Greef 1848 is a high-end luxury jewellery brand, expert watchmaker and retailer that opened its first shop in 1848 at 24 Rue au Beurr, Brussels. Shortly after De Greef became the official clockmaker for the Belgian National Railway Company and then the supplier of pocket watches for the Belgian Navy.
The brand has built an enduring legacy and weathered many changes over its 170-year life. It remains a family business and is in the hands of its seventh generation. This new generation worked with Base Design to rethink the clichés of the market and develop a new graphic identity. This is characterised by a bold simplicity of type and in words, a contrast of colour and a conviviality of image, and included stationery, packaging, bags and website design.
Christopher Hall Somata Collection by Two Times Elliott
Posted: Filed under: Art and Design, Graphic Design Reviews, Home and Garden, Interior Design, Logo Reviews | Tags: British Design, Coloured Paper, Designed by Two Times Elliott, Designed in London, Furniture Design Logos, Gold Foil, Interior Design, Material Thinking, Patterns Comments Off on Christopher Hall Somata Collection by Two Times ElliottOpinion by Richard Baird
Christopher Hall is an internationally renowned furniture and interior designer from New Zealand with studios in London and Istanbul, with a third due to open in Barcelona soon. His interiors and bespoke furniture collections are characterised by a sensitive integration of the classical and the contemporary, a material refinement and sculptural elegance. Somata, his latest collection of 32 handcrafted pieces, is an allusion to the metamorphisms of mythology. This manifests itself within the forms and surfaces of stools, tables and cabinets, which often transition between the functional and sculptural.
Two Times Elliott, the studio behind Christopher Halls graphic identity, worked to develop promotional boxes and individual product sheets. Taking inspiration from the bespoke nature and conceptual foundation of Somata and the craft of Christopher Hall’s work at large, Two Times Elliott blend a detailed graphic pattern with a bespoke material and structural elegance.
