Brigade Court by Jack Renwick Studio
Posted: Filed under: Logo Reviews, Property | Tags: Art Direction, Best Brochure Design 2020, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding News, Branding Reviews, Brochure Design, Corporate Identity Design, Design Blog, Design For Print, Design Inspiration, Design News, Design Opinion, Design Reviews, Designed by Jack Renwick Studio, Designed in London, Fonts in Use: Calibre, Fonts in Use: GT Sectra, From the United Kingdom, Gold Foil, Gold Ink, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, New Logo, Property Development Logos, Sans-serif Typography, Stitch Detail, The Best Brand Identities of 2020, The Best Design for Print 2020, The Very Best of 2020, The Very Best of BP&O, Type Foundry: Grilli Type, Type Foundry: Klim Type Foundry, Typography, Visual Identity Design Blog, Wordmark Design Comments Off on Brigade Court by Jack Renwick StudioText by Richard Baird.
In The London Borough of Southwark sits the Grade II listed building and former headquarters of the London Fire Brigade, the city’s first fire station and a site currently under development. This will see it transformed into residential apartments with period conversations of the original Victorian building alongside a modern new-build. It is a one-of-kind property development that offers a unique intersection of historic and contemporary city living. London-based Jack Renwick Studio (JRS) were commissioned to develop the name, visual identity and communications for this new development, and were challenged with the task of appealing to both local and international markets.
Under the concept “Traditionally Different”, JRS developed the name Brigade Court and a visual language of juxtapositions. These celebrate the distinctive contrasts that exist throughout the property. These juxtapositions move between the elegant and sophisticated materiality of the brochures, the intersection of modern and historic images, and then towards moments of playfulness throughout the property’s marketing suite, which also features a deli and cafe. The visual identity links a variety of different touch-points, from property and floor-plan brochures to custom framed photo-montages, coffee cups, menus and window decals.
Northstar Film Alliance by Bond
Posted: Filed under: Film | Tags: Brand Book, Brand Guidelines, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding News, Branding Reviews, Brochure Design, Brochure Design 2020, Colour in Use: Fluorescent, Coloured Paper, Condensed Logotypes, Condensed Typography, Corporate Identity Design, Design Blog, Design For Print, Design Inspiration, Design News, Design Opinion, Design Reviews, Designed by Bond, Film Production Logos, Fluorescent Ink, Fluorescent Paper, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Material Thinking, New Logo, Poster Design, Sans-serif Typography, tape bind, The Best Brand Identities of 2020, The Best Design for Print 2020, The Very Best of 2019, The Very Best of 2020, The Very Best of BP&O, Typography, Uncoated Papers & Cards, Visual Identity Design Blog, Wordmark Design Comments Off on Northstar Film Alliance by BondOpinion by Richard Baird
North Star Film Alliance (NSFA) is a joint venture between Estonia, Latvia and Finland. The Alliance intends to develop and promote themselves as one filmmaking region to international film and TV productions. It is a competitive marketplace, with other countries provide low tax rates and incentives to film big-budget spectacles on their stages using local crews. Together, the three countries offer a diverse and unspoilt nature, architectural diversity, political stability, cost effective production and infrastructure, as well as international travel hubs and the best drone pilots for arial footage. Design studio Bond recognised that the challenge lay, not only in developing an immediate and striking visual identity, but to establish a framework, codified in a new brand guidelines document, that could support and collectively raise the profiles of multiple cross-border partners in the Alliance.
OneFourFive Clarendon by Studio Brave
Posted: Filed under: Fonts in Use, Graphic Design Reviews, Logo Reviews, Property | Tags: Art Direction, Best Brochure Design 2020, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding News, Branding Reviews, Brochure Design, Coloured Paper, Condensed Logotypes, Condensed Typography, Corporate Identity Design, Design Blog, Design For Print, Design Inspiration, Design News, Design Opinion, Design Reviews, Designed by Studio Brave, Designed in Melbourne, Die Cut Design Detail, Extended Typography, Fonts in Use: GT America, From Australia, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Material Thinking, New Logo, Poster Design, Property Development Logos, Sans-serif Typography, tape bind, The Best Brand Identities of 2020, The Best Design for Print 2020, The Very Best of 2019, The Very Best of 2020, The Very Best of BP&O, Type Foundry: Grilli Type, Typography, Uncoated Papers & Cards, Visual Identity Design Blog, Wordmark Design Comments Off on OneFourFive Clarendon by Studio BraveOpinion by Richard Baird
OneFourFive Clarendon is a modern workspace, developed by Salta, designed by Architectus and created for future-focused businesses looking to situate themselves in Southern Melbourne. The development aims to attract like-minded progressive people with a conscious focus on connectivity and local activity. With this in mind, Melbourne-based Studio Brave developed the narrative ‘A Life Unlimited’ as a way to express how the building will allow businesses and their employees to achieve the contemporary model of a professional-lifestyle balance. This narrative is complemented by a graphic identity that intends to subvert the boundaries of expectation within the commercial property landscape in the confluence of bold contemporary typography and colour, materials and finishes that evoke the context-sensitive tectonics, layers and composition of the building, and photography by Josh Robenstone of the Southern Melbourne urban landscape.
