YO! by Paul Belford Ltd, United Kingdom
Posted: October 13, 2016 Filed under: Cafes, Bars and Restaurants, Graphic Design Reviews, Logo Reviews | Tags: Brand Book, Brand Guidelines, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Cafe Logos, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Paul Belford Ltd, Designed in London, Fonts in Use: Aktiv Grotesk, Graphic Design, Graphic Design Blog, Illustration, Lettering, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Neon Sign Design, Patterns, Restaurant & Cafe Menu Designs, Sans-serif Typography, The Best Brand Identities of 2016, The Best Graphic Design Work of 2016, The Best Logo Designs of 2016, The Very Best of 2016, Typography, Wordmark Design 3 Comments »Opinion by Richard Baird.
London-based graphic design studio Paul Belford Ltd. worked with UK restaurant chain YO! Sushi, now Yo!, to rebrand, as it expands into the US, the Middle East and further into Europe. This included an updated logo together with an extensive 200 page brand book, presented in a bespoke Japanese bento box, that covered a variety of new assets. The brand book covers menus, packaging, signage and illustrative noren curtains, as well as a guide to art direction.
Sauvage by Triboro, United States
Posted: October 10, 2016 Filed under: Cafes, Bars and Restaurants, Fonts in Use, Graphic Design Reviews, Logo Reviews | Tags: American Design, Bar Logos and Brand Identities, Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Cafe Logos, Coaster Design & Beer Mats, Coffee Cup Designs, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Triboro, Designed in New York, Fonts in Use: GT Walsheim, Graphic Design, Graphic Design Blog, Illustration, Lettering, Lighting Design Logos, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Neon Sign Design, Restaurant & Cafe Menu Designs, Sans-serif Typography, Script Logotypes, Script Typography, The Best Brand Identities of 2016, The Best Custom Logotypes, The Best Graphic Design Work of 2016, The Best Logo Designs of 2016, The Very Best of 2016, The Very Best of BP&O, Tote Bag Design, Type Foundry: Grilli Type, Typography, Uncoated Papers & Cards 4 Comments »Opinion by Richard Baird.
Sauvage is a Brooklyn-based cafe and cocktail bar from Joshua Boissy and Krystof Zizka, the duo behind Maison Premiere. It is described as being reflective of the staple establishments of New York and Paris, and has a menu of French-accented American dishes. This is also reflected throughout its interior design, a mix of mosaic flooring, brass rimmed circular tables, bent wood furniture, ornamental mirrors, brass fixtures and fittings, and a curved bar with a white marble top.
Sauvage’s visual identity, designed by New York studio Triboro, mirrors some of the period European and American interior influences, whilst working in individual personality through multi-colour and form. This runs across business cards, menus, coffee cups, coasters and tote bags, and included signage and web design.
BIFAN 2016 by Studio fnt, South Korea
Posted: September 19, 2016 Filed under: Film, Graphic Design Reviews, Logo Reviews | Tags: Brand Identity, Brand Identity Reviews, Branding, Branding Agency, Branding Blog, Branding Reviews, Brochure Design, Custom Typefaces & Logotypes, Custom Typography, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Studio fnt, Festival and Event Brand Identities, From Asia, Graphic Design, Graphic Design Blog, Illustration, Korean Design, Logo Design & Branding Blog, Poster Design, The Best Brand Identities of 2016, The Best Business Cards of 2016, The Best Custom Logotypes, The Best Graphic Design Work of 2016, The Very Best of 2016, The Very Best of BP&O, Tote Bag Design, Type Foundry: Milieu Grotesque, Typography, Uncoated Papers & Cards, Wordmark Design 1 Comment »Opinion by Richard Baird.
Bucheon International Fantastic Film Festival (BIFAN) is an eleven day event that takes place each year in a number of locations throughout the South Korean city of Bucheon, a satellite city of Seoul. It celebrates world cinema; specifically those dealing with the themes of love, fantasy and adventure, plays host to international, Asian and national premieres, and includes, alongside the 320 films from 49 countries, a variety of performances, concerts and art and design exhibitions that draw their inspiration from the films being screened.
BIFAN 2016 is the largest festival to date, and features a revised brand identity, designed by Studio fnt. This reaches across a plethora of printed materials that include posters, banners, tote bags, merchandise, tickets, signage and a catalogue to promote its 20th anniversary.
These are linked a by a new logo, the “Cell Of Fantasy”, that hints at the expansion of BIFAN’s fantastic imagination, and implies a close connection with opposing visual cues, such as yin and yang, in order to stimulate the eyes and the creativeness of the audience. This is paired with a graphic system of shapes and illustration that intend to express the energy, adventure and imagination of an event unlike any other.
