BPO


June’s by Föda, United States

Opinion by Richard Baird

June’s is a cafe and bar located on the corner of South Congress Avenue, Austin, Texas. It offers breakfast, brunch, and grab-and-go pastries and coffee throughout the morning, and has an all day bistro menu that is served late into the evenings. The bistro menu is complemented by a changing wine and bar program managed by Master Sommelier June Rodil. June’s features a light interior design full of natural light, a black and white chequered floor, light bent wood furniture, banquette and bar seating, marble surfaces, white walls, gold details and a vintage Wurlitzer.

Graphic design studio Föda worked with June’s on visual identity. This compliments the interior’s period elements and cheerful ambiance through colour, type and form, and runs across menus, business cards, tableware, website, signage and the track cards of the Wurlitzer.

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Frameline 41 by Mucho, United States

Opinion by Richard Baird & Seth Rowden

Visual identity, campaign and print by Mucho for San Francisco based LGBT film festival Frameline 41.

Frameline is an American nonprofit arts organisation and the world’s longest running LGBTQ film festival. Frameline continues its mission, since its founding in 1977, to change the world through the power of gay cinema, and to connect filmmakers with audiences locally and internationally. Graphic design studio Mucho worked with Frameline on its visual identity and campaigns for its 40th and 41st LGBTQ film festivals, delivering a system based around a framing device. This links membership cards, stationery and business cards, as well as campaign specific materials such as individual event invitations, posters and tote bags.

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Brighton & Brighton Beach ELC by Studio Brave, Australia

Opinion by Richard Baird.

Visual identity and business cards designed by Studio Brave for Brighton & Brighton Beach early learning centres.

Brighton & Brighton Beach are privately owned boutique childcare and early learning centres in Brighton, Australia. Brighton ELC, the first of the two, opened in 2001 and caters to 60 children, aged between the ages of 8 months and 6 years, and recently underwent renovations, led by Christopher Elliott Design. To coincide with this renovation, Brighton ELC worked with Studio Brave on visual identity for both centres. Taking their inspiration from the bayside location and Brighton Beach’s iconic beach boxes, as well as referencing the geometric forms of maritime flags, the studio created a playful visual expression that finds a commonality between play and seaside location.

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