BPO


The Best of BP&O — April 2017

Selected by Richard Baird.

The Best of BP&O — April 2017

April’s highlights included Midday’s packaging for fermented raw food company Hurly Burly and Here Design’s brand identity work for London-based for catering company Rocket. However, there were five projects that stood out, and have made it into BP&O’s Best Of Series.

This feature brings together some of the most thoughtful and distinctive projects published on BP&O each month for another opportunity to be seen and shared. These typically balance a strong concept with a compelling aesthetic and clear communicative intention that appropriately plays with form, colour, type and layout, as well as material, texture, image and print finish.

Throughout April, BP&O expanded on its collections series, as another way to jump through to older posts on the site. New additions include Black & White, Art Galleries & Exhibitions, Branding & Interiors, and Menu Boards.

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Rocket by Here Design, United Kingdom

Opinion by Richard Baird.

Logo, pattern, stationery and van livery by London-based studio Here Design for UK catering business Rocket

Rocket began in 2000 as a small family-run catering company, implementing other people’s plans, and has grown to become a multifaceted enterprise with its own ideas, creating culinary worlds in partnership with some of the country’s most prestigious institutions and brands. Rocket worked with London-based Here Design to express this bold new position throughout its brand identity, in logo design, and across its stationery, business cards, print communications, van livery and website.

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Disrepute by Two Times Elliott, United Kingdom

Opinion by Richard Baird.

Brand identity and business cards with gold block foil detail by London-based studio Two Times Elliott for Soho members bar Disrepute

Disrepute is a members-only bar, located in London’s Soho, described by Two Times Elliott, the design studio behind its brand identity, as having a heritage of “establishment and scandal”. The bar features a rich interior design of high quality material detail that elegantly plays with shape, pattern and symmetry, solid colour and texture, the geometric and the organic. There is an element of period theatricality, yet a contemporary eye for unique character, comfort and continuity throughout.

Two Times Elliott’s brand identity takes these qualities and focuses them into a quieter but distinct brand identity expression that favours commonality and, taking inspiration from Soho’s “most notorious eras of concealed communications and discrete symbols”, layers this with a narrative component that calls to light the loves, intimacy and people of the venue’s past, alongside a historical notoriety, one of secrecy, seduction and the clandestine.

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