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Corps Reviver & L’Heure du Cocktail by Spin, UK

Opinion by Richard Baird.

Visual identity for publisher Corps Reviver by Spin, United Kingdom

Corps Reviver is a French publisher and revivalist, redesigning and reprinting classic literary works, the first of which is L’Heure du Cocktail, The Cocktail Hour, written by journalists Marcel Requien and Lucien Farnoux-Reynaud and originally published in 1927. L’Heure du Cocktail, at the time, revolutionised the cocktail book, approaching the subject in a new way. This 2017 bilingual edition, presented in French and English, designed by Spin and illustrated by Spin’s Tony Brook, also offers a new take, pairing expressionist image with a more formal and modernist approach to layout and type. The release of L’Heure du Cocktail coincides with the launch of Corps Reviver’s own identity, also designed by Spin. This similarly explores something of the modernist, in the choice of type and use of form and pattern which appears to be rooted in the military associations of name.

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Fab Media by Bedow, Sweden

Opinion by Richard Baird.

Logo by Stockholm-based graphic design studio Bedow for Swedish company Fab Media

Fab Media is one of Sweden’s leading media companies. It produces inspiring and entertaining content aimed at young women, and owns a variety of multi-media brands made up of websites, social media platforms and magazines. Fab Media’s specialisation, engaging exclusively women and the creation of modern cross-platform brand experiences, is expressed by their new visual identity, created by Stockholm-based graphic design studio Bedow, in the combination of colour, type and pattern. This links stationery, business cards and tote bags, and also included illustration, pictograms and website.

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Rattis Books by The Counter Press, United Kingdom

Opinion by Richard Baird.

Branding by London-based design studio, private press and typography workshop The Counter Press for UK independent publisher Rattis Books.

Rattis Books is a new London-based independent publisher that celebrates the convergence of traditional and modern print processes and has a firm belief that the book is an art object. To help convey this, the publisher worked with design studio, private press and typography workshop The Counter Press to create their brand identity, and the design for their first book Tiro, a collection of football writings.

Taking their cues from the name, Latin for raft or ship, and the publisher’s processes and beliefs, The Counter Press created a simple but neat logo and logotype combination, printed this across triplex business cards and weighty bookmarks with a deep impression, and used hand-inked and letterpress elements in their design of Tiro.

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