Opinion by Richard Baird Posted 28 August 2015
The ninth collection of business cards reviewed and published on BP&O. Between them, these highlight how colour, type, form and texture contrast, delivered through a combination of graphic design, material choice and print finish, contribute to a distinctive and communicative brand identity. As with earlier sets, this selection includes illustration, uncoated and coated boards, coloured papers, surface embosses and foils. Featured studios include Inhouse, Richards Partners, Spin and Mind Design.
This post was published as a quick way to browse through BP&O’s content and gain access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here.
Reel designed by Richards Partners
South designed by South
Gripoix designed by Mind Design
Life Or Death designed by DIA
Nicholas Architects designed by Strategy
Smack Lobster Roll designed by &Smith
Basement Theatre designed by Studio Alexander
Biber designed by Spin
Bubu designed by Bob Design
Hidraulik designed by Huaman
Iron Grill designed by End Of Work
The Factory designed by Ghost
Virginia Hayward designed by Salad
Poseidon designed by Kokoro & Moi
Wine Fandango designed by Moruba
Torafuku designed by Brief
From Babies With Love designed by Paul Belford Ltd.
Christopher Elliott designed by Studio Brave
Ulju Mountain Film Festival designed by Studio fnt