BP&O Collections — Blind Embossing
Opinion by Richard Baird Posted 27 October 2017
A continually updated gallery of brand identity, packaging and graphic design, reviewed and published on BP&O, that feature a blind emboss or debossed detail. This post features work by Bibliothèque, Triboro and Bedow, and covers a variety of projects, from restaurants and lighting architects to galleries and fashion labels.
Blind embossing has been used in a few different ways. These include simple stylistic flourishes, an exploration of the intersection of the graphic and material, and those grounded in the more conceptual. These conceptual approaches include the framing of words for art gallery Galerija Kranjčar, a recurring H motif by Mucho for Héctor Ayuso, and a reference to light and shade by Triboro for their work with lighting architects L’Observatoire International. Be sure to click the images to read more about the project and the ideas and intentions of each design.
OneFourFive Clarendon by Studio Brave
Rimowa by Commission
Schubertíada Vilabertran by Mucho
Osofor by Paul Belford Ltd.
Baluna by Grupa by Bunch
Maison De Greef 1848 by Base Design
Rimowa by Commission
Strömma Arkipelag by 25ah
Neometro & Nine Smith Street by Studio Hi Ho
EDL Laminates by Bravo
FranklinTill by Commission
Loupedeck by Bond
Abodo by Richards Partners
Flamingo by Bibliothèque
Brae by Round
L’Observatoire International by Triboro
Planned Living Architects by A Friend Of Mine
Galerija Kranjčar by Bunch
Minna Palmqvist by Bedow
Taidehalli by Tsto
Bryan Pearson by Strategy, New Zealand
Héctor Ayuso by Mucho, Spain
Estampaciones Fuerte by Hey, Spain
Giles Duley by Shaz Madani, United Kingdom
Institute by Commission, United Kingdom
Niche Wine Co. — Somm by Frost, Australia
Background Bars by Campbell Hay, United Kingdom
Sant Francesc by Mucho, Spain
Minke by Atipo, Spain
Port of Mokha by Manual, United States
Fluvia by Folch, Spain
Enter Arkitektur by Lundgren+Lindqvist, Sweden