BP&O Collections — Multi-coloured
Selected by Richard Baird.
A continually updated collection of graphic identities and packaging design work, reviewed and published on BP&O, that feature a distinctive multi-coloured component. Between them, and in conjunction with form and context, these bring to light how the use of three or more colours can catch the eye and convey creative energy without appearing complex or overwhelming. This post includes a variety of print collateral, from business cards and stationery to wine labels and menus, and covers work for design events, restaurants and museums. Featured studios include Collins, Underline Studio and Triboro. Click through to get a sense of how these fit within a broader brand identity program and the communicative intentions that underpin aesthetic choices. Check out plenty more at BP&O – Collections or subscribe to the series here.
Korea International Art Fair 2018 by Studio fnt
Anton&Anton Kioski by Bond
Schubertíada Vilabertran by Mucho
Arper 2018 by Clase bcn
andSons Chocolatiers by Base Design, USA
PopTech by Collins
FranklinTill by Commission
Assembly by Ragged Edge
CareerTrackers by Garbett
The East Cut by Collins
Helsinki by Werklig
Cult 20 Years, Event & Exhibition by Toko
Broadgate by dn&co.
Fluvia by Folch
CCA Architecture by Manual
Freewheel by Collins
AIGA Design Conference by Mother Design, United States
Lumia by Hey, Spain
Torafunku by Brief, Canada
Art Museum by Underline Studio, Canada
Bearleader Chronicle by The Studio, Sweden