Typography
Mostai by andstudio
Ten or so years ago I’d wager that most of us hadn’t even heard of padel, but the tennis-adjacent pursuit has boomed in recent years: there’s reportedly a whopping 30 million padel players worldwide, as of stats from late 2024. Despite the fact the name sounds somewhat Ye Olde-ish – it wouldn’t be surprising to see a reference or two...
Cerca by Saint-Urbain
It wasn’t too long ago that we were deluged by think pieces bemoaning the state of dating apps; detailing their fall-from-favour in data that showed in cold hard numbers that their popularity had long since boomed. The swipe-laden online dating world, it seems, was drastically waning. All sorts of theories flew around: maybe Gen Z – frequently (bafflingly, implausibly) lauded...
HotDog by SMLXL
From the moment I turned the sound up (as per instructions) on the ‘about’ page of the HotDog website, safe to say I was obsessed with this brand and its branding. It’s laugh out loud hilarious – I truly loled, as did the person I was sharing a room with, and as I’m sure anyone within eye- or ear-shot would...
Storrd by Among Equals
London is awash with convenience stores – from the acrid yellow signage of Nisa to the misleadingly named ubiquity of Costcutter to the countless independents named things like Ben’s, despite the fact they have nothing to do with anybody called Ben. Such shops – reliably there at most times of day, reliably overpriced (hence the convenience I suppose, like an...
Eat Dirt by Cachete Jack and Marta Veludo Studio
The best branding and packaging projects – or at least the ones that most excite this slightly jaded old design hack – are those that not only take a category and do something genuinely innovative within it, but the ones that rethink structure as much as style. The identity for Eat Dirt does all that and more, and so safe...
Atlético Dallas by Moniker and ModestWorks
Dallas connotes many things: cowboys! (the gun-slingin’, yeehawin’ type ones on horseback); cowboys! (the cheerleading ones of ‘that show on Netflix’ fame); cowboys! (the American football team). In short, for people like me who’ve never been to Dallas, nor indeed any of Texas, and who know next to nothing about sport, Dallas = cowboys, and perhaps little else. But even...
So Energy by Studio Blackburn
I’ve said it before and I’ll say it again: it’s all well and good making some striking, retina-toastingly fluoro, brave as hell design work for, say, a kombucha startup or CBD lube or a record sleeve or an art book. These things are by dint of their very existence, context, and audience, already sort of cool. But the real creative...
Eternal Research by Cotton
Niche/difficult electronic music types and brand design nerds are rarely found too far from one another; often, indeed, they’re one in the same. It’s little surprise really when you look at the typographic wonders to be found across the spectrum of things like vintage synthesisers – the sublime curves of ‘Omnichord’ or the strangely pagan-ish letterforms on a Prophet-5, to...
Bugg by Seachange
Bugg is a New Zealand-based gardening brand founded earlier this year as the sibling of garden tools and accessories retailer Gubba. It bills itself as “premium products for people who live in the garden,” but its charming brand design definitely goes harder on the latter half of that clause than the former. Not that it looks cheap by any means...
Cob by Saint Urbain
If there’s something we’ve come to rely on Saint Urbain totally nailing, it’s a wordmark. Even the most cursory glance across their recent projects affirms the agency’s knack for a grabby, smart, playful yet sublimely appropriate approach to brand type, and this new project is no exception. The work in question is for Cob Foods, for which Saint Urbain (Buena...
Forest Carbon by Design Bridge Singapore
Despite the perennially frustrating widespread perception that the definition of branding is a logo (maybe a wordmark, at a push, a colour a la Cadbury’s purple or EasyJet orange ), it’s more obvious than ever as we settle into the screen-centric Digital Age that ‘brand’ is a vast and expansive thing – it’s verbal and visual and sonic, it moves...
Fhirst by Mother Design
We’ve arrived at a point where the idea of ‘y2k’ as an aesthetic has stretched beyond ‘trend’ or ‘cycle’ and morphed into an entity almost entirely devoid of the temporal placemarker its name suggests. Having been repeated ad nauseum, ‘y2k’ is no longer about a visual/cultural moment and/or collection of moments around 25 years back. Instead, it’s become a Burroughs...