Christopher Hall Somata Collection by Two Times Elliott
Posted: June 11, 2018 Filed under: Art and Design, Graphic Design Reviews, Home and Garden, Interior Design, Logo Reviews | Tags: British Design, Coloured Paper, Designed by Two Times Elliott, Designed in London, Furniture Design Logos, Gold Foil, Interior Design, Material Thinking, Patterns Comments Off on Christopher Hall Somata Collection by Two Times ElliottOpinion by Richard Baird
Christopher Hall is an internationally renowned furniture and interior designer from New Zealand with studios in London and Istanbul, with a third due to open in Barcelona soon. His interiors and bespoke furniture collections are characterised by a sensitive integration of the classical and the contemporary, a material refinement and sculptural elegance. Somata, his latest collection of 32 handcrafted pieces, is an allusion to the metamorphisms of mythology. This manifests itself within the forms and surfaces of stools, tables and cabinets, which often transition between the functional and sculptural.
Two Times Elliott, the studio behind Christopher Halls graphic identity, worked to develop promotional boxes and individual product sheets. Taking inspiration from the bespoke nature and conceptual foundation of Somata and the craft of Christopher Hall’s work at large, Two Times Elliott blend a detailed graphic pattern with a bespoke material and structural elegance.
Essem Design Product Catalogue 2018 by Bedow
Posted: June 1, 2018 Filed under: Art and Design, Fonts in Use, Graphic Design Reviews | Tags: Art Direction, Brand Identity, Brand Identity Reviews, Branding, Branding Blog, Brochure Design, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Bedow, Fonts in Use: Dala Moa, From Scandinavia, Furniture Design Logos, Graphic Design, Graphic Design Blog, Illustration, Sans-serif Typography, Stencil, The Best Graphic Design Work of 2018 Comments Off on Essem Design Product Catalogue 2018 by BedowOpinion by Richard Baird
In 2014 Bedow worked with Essem Design, a Swedish manufacturer of artisanal hallway products and furniture, to develop a new graphic identity. This included logotype, adverts, catalogue, product sheet and stationery design. The concept was based around the simple gesture “Hej—Hej då”, hello and goodbye in Swedish and a reference to the most common phrase used in the hallway.
This verbal gesture was visualised using Commercial Type’s Dala Moa, paired with Futura, and played out across a brochure and stationery set of white and unbleached papers. The result balanced a playful and personable expression with the functional and crafted. This is expanded on and further explored throughout Essem Design’s 2018 product catalogue, also designed by Bedow, in the approach to art direction, colour, form and illustration.
Wiener Moderne 2018 by Seite Zwei
Posted: May 9, 2018 Filed under: Art and Design | Tags: Austrian Design, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2018, Branding Blog, Branding Reviews, Business Card Design, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Festival and Event Brand Identities, Graphic Design, Graphic Design Blog, Illustration, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logotypes, Sans-serif Typography, Typography Comments Off on Wiener Moderne 2018 by Seite ZweiOpinion by Richard Baird
To mark the 100th anniversary of the passing of Gustav Klimt, Egon Schiele, Otto Wagner and Koloman Moser, four greats of Viennese Modernism, The Vienna Tourist Board is dedicating the year to bringing to light their collective talents and stories. Wiener Moderne 2018 will take the form of public exhibitions and events, promoted through national and international campaigns, and unified by a distinctive graphic identity system created by Austrian design studio Seite Zwei. This links a variety of print and digital communications, from banners, posters and programmes to website and outdoor displays of motion graphics.
