Chus x Chus by Pentagram, United States
Posted: February 28, 2018 Filed under: Art and Design, Logo Reviews | Tags: American Design, Art Direction, Black Block Foil, Brand Identity, Brand Identity Reviews, Branding, Branding & Packaging of 2018, Branding Agency, Branding Blog, Branding Reviews, Coloured Paper, Custom Typefaces & Logotypes, Custom Typography, Design Blog, Design News, Design Opinion, Design Reviews, Designed by Pentagram, Die Cut Design Detail, Graphic Design, Graphic Design Blog, Jewellery Logos, Logo Design & Branding Blog, Logo Design Inspiration, Logo Design Resource, Logo Designs, Logo Opinion, Logos, Natasha Jen, New Logo, The Best Business Cards of 2018, The Best Graphic Design Work of 2018, The Very Best Brand Identities of 2018, Typography, Women of Design Comments Off on Chus x Chus by Pentagram, United StatesOpinion by Richard Baird.
Spanish jewellery designer Chus Burés is recognised for the avant garde quality of his work and his ongoing collaborations with a wide variety artists and designers. These have included American-French artist Louise Bourgeois, American-Cuban painter Carmen Herrera and French fashion designer Agnès B.
Working with those in the fields of contemporary art, fashion, cinema and music, Chus Burés has developed CHUS X CHUS, a new range that intends to appeal to a younger audience. This range is characterised by a back to the fundamentals philosophy; everyday pieces created in partnership with emerging artists. This is expressed by the brand’s launch campaign which features the singer-songwriter Sophie Auster, who was photographed by Andres Serrano, and through a graphic identity of custom typeface, website and art direction developed by Pentagram partner Natasha Jen and team.
V&A Exhibition Road Quarter by dn&co., United Kingdom
Posted: February 19, 2018 Filed under: Art and Design, Graphic Design Reviews | Tags: Branding Blog, Campaign Design, Design Blog, Design For Print, Design News, Design Opinion, Design Reviews, Designed by dn&co., Designed in London, Festival and Event Brand Identities, From the United Kingdom, Graphic Design, Graphic Design Blog, Spot Colours, The Best Graphic Design Work of 2018, The Very Best of 2018, The Very Best of BP&O Comments Off on V&A Exhibition Road Quarter by dn&co., United KingdomOpinion by Richard Baird
Exhibition Road Quarter is a new gallery built under and an extension of The Victoria and Albert Museum, London, the world’s largest museum of decorative arts and design. Although the V&A is known for its commitment to innovation its spaces within an early twentieth century Grade 1 listed building set limitations, with temporary retro-fitted interiors proving to be cramped and inflexible. Without the possibility of outward expansion, the V&A explored the subterranean, embracing innovation in architecture and engineering to create new modern spaces with greater scale and opportunity beneath. To celebrate the distinctive structure created by AL_A, and to tease and then announce the grand opening design studio dn&co. worked with the V&A to develop a campaign of posters and banners. These were unified by the line “A New Way In” and were based around the concept of concealing and then revealing through layers.
Sumer And The Modern Paradigm by Clase bcn, Spain
Posted: January 2, 2018 Filed under: Art and Design, Graphic Design Reviews | Tags: Art Gallery Logos and Brand Identities, Brand Identity Reviews, Branding & Packaging of 2017, Branding Blog, Branding Reviews, Design Blog, Design For Print, Design Opinion, Design Reviews, Designed by Clase bcn, Designed in Barcelona, Exhibition Logos & Brand Identities, Fonts In Use: Suisse Int'l, From Europe, Graphic Design, Graphic Design Blog, Graphic Identity Design, Poster Design, Spanish Design, The Best Graphic Design Work of 2018, The Very Best Brand Identities of 2018, The Very Best of 2018, The Very Best of BP&O, Type Foundry: Swiss Typefaces Comments Off on Sumer And The Modern Paradigm by Clase bcn, SpainOpinion by Richard Baird.
Sumer And The Modern Paradigm is an exhibition at Barcelona’s contemporary art gallery Fundació Joan Miró, and runs from 28th October 2017 to 21st January 2018. It intends explore and attempt to explain the influence of Mesopotamian art on modern artists, with a particular focus on the interwar period. The exhibition analyses work produced between the twenties and forties, takes a look at the documentation of Mesopotamian art that modern artists encountered and were inspired during this time, and looks to find the reasons for their fascination with the discoveries of ancient Near East artefacts. This relationship between between antiquity and modernity is expressed through the graphic identity of the exhibition, designed by Spanish studio Clase bcn, using a contrast of form and colour. This links a variety of printed communications and merchandise that included posters and flyers as well as tote bags and books.
