Unfolded by Commission
Posted: November 19, 2018 Filed under: Art and Design, Graphic Design Reviews, Packaging Reviews | Tags: Best Packaging Designs, Black Block Foil, Blind Emboss, Brand Identity Reviews, Branding & Packaging of 2018, Branding Blog, Branding Reviews, Colour in Use: Fluorescent, Coloured Paper, Creative Packaging, Design For Print, Design Opinion, Design Reviews, Designed by Commission Studio, Festival and Event Brand Identities, Fluorescent Paper, Foil Blocking, From Europe, From the United Kingdom, Graphic Design, Graphic Design Blog, Logo Design & Branding Blog, Logotypes, Material Thinking, Minimal Design, Minimal Logos, Minimal Package Design, Minimalist Brand Identities, Packaging Company, Packaging Design, Packaging Design Blog, Packaging Design Resource, Packaging News, Sans-serif Logotypes, Sans-serif Typography, The Best Graphic Design Work of 2018, The Very Best of 2018, The Very Best Packaging of 2018, Thermographic Ink, Typography, Uncoated Papers & Cards Comments Off on Unfolded by CommissionOpinion by Richard Baird
Unfolded is a design and print festival that celebrates the creative work happening across Europe in the disciplines of design, printing and brand communication. This was held by and at The Gmund Paper Factory in Germany on the 9th November 2018. The event created a space for sharing ideas and fostering dialogue between creative individuals, providers of printing services, brand managers and experts from the business and agency scene. Unfolded also hosted lectures, keynote speakers and panels around brand strategy, materiality and sustainability. An exhibition, running in parallel to these events, showcased the latest developments within the industry.
The innovative dimension of the event, its desire to develop industry discourse, and the potential of design, material and print to synergise, is expressed in the delivery, presentation and form of the Unfolded invitation, created by London-based design studio Commission. This is initially marked by the impact of colour and type, volume and robustness, form and mechanism yet, and in contrast, is followed by the framing of a delicately micro-perforated and block foiled invitation.
Speculations On Anonymous Materials by Zak Group
Posted: November 13, 2018 Filed under: Art and Design, Graphic Design Reviews | Tags: Book & Magazine Cover Design, Book & Magazine Design, Book Review, Custom Typography, Design Blog, Design For Print, Design Reviews: Editorial Design, Designed by Zak Group, Designed in London, Editorial Design, Graphic Design, Graphic Design Blog, Magazine Design, Magazine Spreads, Metallic Spot Colours, Spot Colours, The Best Graphic Design Work of 2018, The Very Best of 2018 Comments Off on Speculations On Anonymous Materials by Zak GroupOpinion by Richard Baird
Speculations on Anonymous Materials (2013), nature after nature (2014) and Inhuman (2015) is a trilogy of exhibitions, curated by Susanne Pfeffer, that took place at Fridericianum, Europe’s oldest public museum, located in the German city of Kessel. The exhibitions, which mark the institution’s turn towards post-humanist thinking, intended to demonstrate how current artistic practices shift the theoretical boundaries separating the natural from the artificial. London-based design studio Zak Group was recently commissioned to catalogue the trilogy of exhibitions, which was then published by Koenig Books. The catalogue is set in German and English, has 220 pages and features three metallic spot colours.
LogoArchive Issue 3 by BP&O (Preview)
Posted: October 30, 2018 Filed under: Art and Design, Uncategorized Comments Off on LogoArchive Issue 3 by BP&O (Preview) 
The first issue of LogoArchive in print was conceived, designed and sent to the printers (for quotation) within a day. It was inspired by a panel discussion that took place the day before at Somerset House as part of the exhibition Print! Tearing It Up. Following a successful launch and a sold-out first issue LogoArchive returns in November with its third release.
LogoArchive Issue 3 will be printed by WithPrint on Colorplan Ebony 175gsm with multiple passes of white ink on an HP Indigo press. It features an eight-page Cyclus 100gsm insert printed with black. These are bound with black staples. As the zine moves into its third issue, it begins to find its feet, moving closer towards its ambition of sharing ideas and the joy of mid-century symbols. An early release of LogoArchive Issue 3 will be available online from counter-print.co.uk at the beginning of November. Sign up for release notifications here.
The few remaining copies of Issue 2 are available in the US from Standards Manual and in Europe through Lorem (not Impum).
