BP&O Collections — Form Language27 July,2018
Selected by Richard Baird.
A continually updated collection of graphic identity design work with strong focus on form language, reviewed and published on BP&O. This post features work by Clase bcn, Lundgren+Lindqvist and Toko and includes campaign identities, packaging, simple and broad brand identity systems.
Projects within this collection typically explore form, graphically and/or materially to convey ideas, imply a value or value set, imply that there is a story to be uncovered or seek to bring to light the iconic nature of small detail of a product through scale and proportion. These move between subtle allusion and the communicatively immediate, although there is also a decorative and eye-catching intention to these as well. Common techniques include repetition, the scaling up of the small, and the making the most of an associative potential.
This post was published as a quick way to browse through BP&O’s content and get access to older but equally interesting projects through different themes, and expands on previous posts under the category The Best of BP&O. This series can be subscribed to here.
New Chapter by Paul Belford Ltd
Arper by Clase bcn
Dissabtes MACBA by Hey
The Conference Company by Studio South
Architects Accreditation Council of Australia by Toko
Label Lab by TM
Meg’s Tailoring by Studio South
Vestre Anniversary Book by Snøhetta, Norway
DomésticoShop & DomésticoMarket by Mucho
Artek Helsinki by Tsto
Endgame: Duchamp, Chess, and the Avant-Garde by Hey
Konserthuset Stockholm by Kurppa Hosk
Lukas/Markus – Kalle Sanner by Lundgren+Lindqvist
Edition by Studio South
El Pintor by Anagrama
Chaos by Socio Design
Hages by The Studio
Maven by Toko
Pepe Raventós Natural Wines by Mucho
Roger Burkhard by Lundgren+Lindqvist
Baluna by Grupa by Bunch
Fluvia by Folch