White Rabbit Collection by Toko
Posted: Filed under: Art and Design, Graphic Design Reviews | Tags: Art Book, Book & Magazine Design, Book Design Review, Branding Agency, Coloured Paper, Design Blog, Design For Print, Design Inspiration, Design News, Design Opinion, Design Reviews, Design Reviews: Editorial Design, Designed in Sydney, Editorial Design, From Australia, Graphic Design, Graphic Design Blog, The Best Design for Print 2020, The Very Best of 2020, Typography Comments Off on White Rabbit Collection by TokoText by Richard Baird.
The White Rabbit Collection is a contemporary arts publication showcasing the work of 99 artists drawn from the White Rabbit, a contemporary art museum, gallery and archive in Sydney. The museum has become one of the world’s most significant collections of Chinese contemporary art, with over 2000 works from 700 artists. Through this new publication, designed by Australia design studio Toko and commissioned by Judith Neilson, the museum seeks to represent the breadth and depth of its collection.
Inspired by the Little Red Book (Quotations from Chairman Mao Tse-tung) the publication is marked by a bright red clamshell box with a unique typographical gesture, and three books of 33 artists each with its own unique cover art. Together, box and books form a print run of 2475 individual variations, with each boxset being a unique piece and a invitation to discover the social and artistic changes of twenty-first century China.
Monachus Distillery by Bedow
Posted: Filed under: Food and Drink, Graphic Design Reviews, Packaging Reviews | Tags: Best Packaging Designs, Colour in Use: White, Coloured Paper, Creative Packaging, Design For Print, Design News, Design Opinion, Design Reviews, Designed by Bedow, Distillery Logos and Packaging, Fonts In Use: Geometric Sans-serif, Gin Branding, Gin Packaging, Graphic Design, Graphic Design Blog, Material Thinking, Packaging Company, Packaging Design, Packaging Design Blog, Packaging Design Resource, Packaging News, Packaging Opinion, Structural Package Design, The Best Graphic Design Work of 2020, The Best Packaging of 2020, The Very Best of 2020, Type Foundry: Colophon, Typography, Uncoated Papers & Cards, Visual Identity Design Blog Comments Off on Monachus Distillery by BedowText by Richard Baird.
Atop of Croatia’s Istria peninsula, just where the land slips into the Adriatic sea sits the tiny small-batch gin distillery of Monachus. Stone shores, botanical covered hillsides, the smell of pine and scattered pin cones characterises the landscape. Drawing on this, the natural history of Istria and the name Monachus, borrowed from Monachus Monachus an endangered Mediterranean monk seal, Swedish design studio Bedow created a visual identity and labelling for the distillery.
Queremos Sonreír by Mucho
Posted: Filed under: Graphic Design Reviews, Publishing | Tags: Book & Magazine Design, Book Design Review, Branding Agency, British Design, Colour in Use: Fluorescent, Coloured Paper, Design Blog, Design For Print, Design Inspiration, Design News, Design Opinion, Design Reviews, Design Reviews: Editorial Design, Editorial Design, Fluorescent Ink, From Europe, Graphic Design, Graphic Design Blog, Spanish Design, The Best Design for Print 2020, The Very Best of 2020, Typography Comments Off on Queremos Sonreír by MuchoWords by Richard Baird
Queremos Sonreír – Activar la Cultura Local (We want to smile – Activating local culture) brings together the voices of a variety of cultural agents–from citizen collectives and activists to artists and managers of cultural programmes–who are generating actions that intend to stimulate local culture, empower citizens, develop learning processes and further critical thinking. Through these voices the book explores questions around citizen participation and cultural practices, cultural activation and alternative ways of developing and accessing cultural capital.
The book is the result of a long research process led by Trànsit Projectes, who partnered with Mucho on the design of the project’s material form. Mucho worked on concept, design, and art direction with the the themes of cultural participation and visibility as central themes.Tthese manifest themselves by way of a striking use of colour and type, and book jacket that folds out and channels the provocative visual language of protest banners with the exclamation, queremos sonreír, or we want to smile.
