Typography
Mecca Coffee by Christopher Doyle & Co.
Sydney-based Mecca Coffee started life in 2005, and has since become one of the city’s leading specialty coffee roasters, importers, and retailers. To mark the company’s 20th anniversary, Christopher Doyle & Co. (Ortto, Machine Screen Printers, New Aim), which is also based in Sydney, was brought in to evolve its brand identity across “packaging, merchandising and collateral systems,” Doyle explains....
Strangers by Auge Design
Strangers is a new confectionery brand created by Valgosa, a family company dating back to 1912 and seemingly best known as purveyors of saffron. It seems an unlikely starting point for such a boldly positioned brand – and one boasting an exquisite visual identity thanks to Milan-based Auge Design (Erbert, Ginori 1735). According to Auge – which worked across everything...
NoomaLooma by Cotton
NoomaLooma is described as a “platform built around small moments of making”. As far as I can tell, it’s an app in its early stages (at the moment, it’s just for iPhone), and it’s launched with a brand identity created by New York studio Cotton (the design team behind the excellent identity for Eternal Research). The platform was created by...
Dataforeningen by Bielke & Yang
Dataforeningen simply translates as ‘data organisation’ from Norwegian to English, and funnily enough, that’s exactly what the organisation is. Operating nationwide across Norway serving people working in tech, it was looking for a new identity that reflected a shift in who and what it was, and its future aims. Taking on this potentially tricky brief was Oslo-based Bielke & Yang...
Six Six by A Friend of Mine
Six Six is an eyewear store and optometrist based in Melbourne, which opened early this year with the aim to be “more like a destination than a store”. Tasked with creating the brand identity to make that happen was A Friend of Mine, or AFOL for short (Embla, Great Wrap, Suupaa), a brand design studio also based in Melbourne which...
Nu-clear your skin
Juana is a Dubai-based company creating CBD-based “bioactive” skincare, founded by Yann Moujawaz Martini, a French-born entrepreneur with Syrian roots and a background in brand strategy or – as he himself put it in an interview – “a decade designing multibillion-dollar wellness and medical tourism mega-projects for governments and Fortune 500s”, after which, he says, he “flipped the script” and...
Gaptooth Soda by Saint Urbain
One person’s imperfection is another’s luck– especially, it turns out, when it comes to teeth. The front-tooth-gap, as exemplified and celebrated by the likes of Madonna (and, it turns out, Chaucer’s famously, unabashedly lustful “gap-toothed” Wife of Bath) is known in more scientific or medical terms as a ‘diastema’. Many see this aesthetic dental quirk as attractive; others not so...
Cute, curious and cuddly
Fitness and health tracking apps are not generally known for their sense of fun. The likes of MyFitnessPal, while great in terms of functionality, for the most part, keep the design stuff resolutely serious, no-nonsense, and perfunctory. Meanwhile the likes of Strava elicit joy through very few things, the main one being when people decide to run in a shape...
Like, so retro, but so the future
There’s really so little not to love about this branding for Sooki – in fact, I’d go as far as saying there’s nothing not to love. It’s purely, and simply, gorgeous; every goddam inch of it. Kudos, then, to The Collected Works, the New York City- and New Orleans-based independent design studio behind the identity design created to bring Sooki...
Where fallow deer roam
Deer feel like unlikely ambassadors/ mascots/ PosterCreatures for olive oil, but it turns out they work brilliantly – when, that is, in the superlatively capable hands of a studio like SMLXL. Said olive oil is D’arbequina, a name which more broadly simply refers to the sort of plant from which the oil is produced: Arbequina is a widely cultivated olive...
Goofy, playful and knowingly a bit silly
Design systems are often spoken about in terms of those moments of ‘surprise and delight’, but often, there’s little either surprising or delightful to be found. Blurr Bureau’s new brand identity for Yes! Apples, however, is so brimming with surprise and delight that those moments become the entire timeframe here: the Easter Eggs absolutely abound here, for the brand design...
Gloopy, bubbly, occasionally borderline illegible
It’s always confusing, surprising and slightly disappointing when you come across art or design-focused brands, agencies, platforms, publications or organisations that seem to have a total disregard for what they look like – as though their own central premise and raison d’etre is at odds with their look and feel. I won’t name names, because that feels both mean and...