The story of Burton Kramer’s logo for the Canadian Broadcasting Corporation....
The story of John Casado’s 1978 logo for California fashion brand Esprit....
The story of Henry Steiner’s 1983 logo for HSBC....
GT Alpina is described by type foundry and BP&O regular GrilliType as a workhorse serif that also delights in playing with the very meaning of concept, reaching into the ‘grab bag of typographic history to resurrect shapes some may falsely see as too expressive’. This feels an apt description for Antara 128, and the visual identity created by Mucho that...
The story of Rei Yoshimura & PAOS 1975 logo for Mazda....
I’m reluctant to bring up the pandemic again, four years later. But I can’t help think back to that period when seeing images related to gatherings, which are employed to great effect in Onmi Design’s work for PURLOM, a family business with more than 40 years of experience producing and distributing a wide variety of meats. This kind of imagery...
The story of Raymond Loewy’s 1970 logo for Spar....
The story of Allan Fleming’s 1960 logo for Canadian National Railway....
It was yesterday I made a run to the local supermarket to pick up some essentials. I had two choices, turn left to Waitrose or right to Morrisons. Despite being somewhat price conscious, I enjoy looking at the packaging at the higher-priced Waitrose, so went left–let’s say it’s the cost of being a designer. Anyway, honey was on the list....
The story of Design Research Unit’s 1969 logo for Czechoslovakian shoe manufacture and retailer Bata....
The story of PAOS’ 1983 logo for Japanese toys and games company Bandai....
The history of Unimark International’s 1971 logo for Italian oil company AGIP....