BPO


Schubertíada Vilabertran by Mucho

Opinion by Richard Baird

Schubertíada is an annual festival run by Associació Franz Schubert that celebrates the works of the 19th-century Austrian Romantic composer Franz Schubert. This takes place in the Spanish municipality of Vilabertran in July. The festival includes a programme of chamber concerts, lied recitals, instrumental solos and lectures.

Schubert is known, not just for his compositions, but for his contribution to Lieder; German poetry set to classical music, and for his reconfiguration of the classical concert, developing it into a more intimate experience with a smaller audience. This format is known as Schubertiades, and is where the festival derives its name.

With this historical context in mind; 19th Century romanticism, the smaller more intimate gatherings and pioneering view of Franz Schubert, design studio Mucho developed a visual identity for the festival that focuses on vision, enduring legacy, a continued relevance and the personable in the confluence of iconography, illustration, colour and print finish.

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The Best of BP&O — October 2018

Selected by Richard Baird.

The Best Graphic Design — October 2018

October’s highlights included property identities for 246 Queen and The Maitland by Studio South and Studio Brave, respectively. There were, however, five projects that stood out and have made it into BP&O’s Best Of Series. Between them these typically balance a strong singular concept or an appropriate confluence of ideas with a compelling visual character and clear communicative intention that appropriately play with form, colour, type and layout, as well as material, texture, image and print finish.

BP&O, in this end of month review, tries to recognise both the smart use of small budgets—those that channel spending into the most appropriate assets—and those projects with a broad and holistic quality, establishing a continuity (conceptual and/or visual) across multiple touch points. Many of the projects share a concise aesthetic expression, yet there is nuance and strategic weight to these, so do click through and read more about each of these.

Throughout the month BP&O also continued to expand on its collections series as another way to jump through to older posts on the site. This included a collection of projects that feature banner design.

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LogoArchive Issue 3 by BP&O (Preview)

The first issue of LogoArchive in print was conceived, designed and sent to the printers (for quotation) within a day. It was inspired by a panel discussion that took place the day before at Somerset House as part of the exhibition Print! Tearing It Up. Following a successful launch and a sold-out first issue LogoArchive returns in November with its third release.

LogoArchive is founded on a long-standing enthusiasm for a well-crafted mid-century logo; a convivial metaphor, a communicative immediacy and smart use of form language. However, in print, it was never imagined as a document with just a singular intention; the simple documentation of logos, rather a mode in which to build a story and migrate ideas. This project also intends to explore the potential of the zine to reconfigure itself regularly over time. Issue 3 tackles this theme more directly through the collation of found science symbols, three original texts and the recycled materiality of an insert. The passage of time is marked by each new issue through volume, with a further page added, taking the zine up to twenty pages, this includes front and back as a critical part of content and total experience.

LogoArchive Issue 3 will be printed by WithPrint on Colorplan Ebony 175gsm with multiple passes of white ink on an HP Indigo press. It features an eight-page Cyclus 100gsm insert printed with black. These are bound with black staples. As the zine moves into its third issue, it begins to find its feet, moving closer towards its ambition of sharing ideas and the joy of mid-century symbols. An early release of LogoArchive Issue 3 will be available online from counter-print.co.uk at the beginning of November. Sign up for release notifications here.

The few remaining copies of Issue 2 are available in the US from Standards Manual and in Europe through Lorem (not Impum).