This first edition of LogoArchive in print was conceived, designed and sent to the printers for quotation within a day. It was inspired by a panel discussion that took place the day before at Somerset House as part of the exhibition Print! Tearing It Up. Today’s zine format and the revival of the independent publishing spirit of the past is a provocation. It is an opportunity to further the practice of research, archival and dissemination beyond the book. A chance to investigate the potential of both individual object and its context within an ongoing project.
This first edition is a compact 10 pages printed on Colorplan Ebony 175gsm with eight passes of white and finished with black staples, it is a small first step but with ambitions to grow into a compelling and accessible series with each new zine marking its role within a continuum through the addition of an extra sheet (4pp). It is the first printed piece to fall under the BP&O publishing arm and hope our readers will get behind this.
UPDATE: LogoArchive #1 has sold out. Thanks to everyone who bought a copy, to those that have shared images on Twitter and Instagram, those that took copies for their shops, and to LogoDesignLove, Design Week and Dezeen for writing articles about the project. I’m currently working on #2 and expect to have it ready early to mid-August.
Opinion by Richard Baird
Buk Seoul Museum of Art is an art museum and park where art, community and nature coalesce. It promotes cultural activity and interaction and brought cultural spaces and facilities to the North-eastern part of Seoul where they were previously lacking. The museum is marked not only by its distinctive forms, designed by Samoo Architects & Engineers and completed in 2013, but in its interaction with the hill Nowon. The movement of people through and around built structure and natural park, and the dialogue and interaction between external structure of the museum and its shaping of natural landscape is captured in the museum’s 2018 season programme guide, designed by Studio fnt, through colour, form and imagery.
Selected by Richard Baird.
In June there were five projects that stood out and have made it into BP&O’s Best Of Series. Between them these typically balance a strong singular concept or an appropriate confluence of ideas with a compelling visual character and clear communicative intention that appropriately play with form, colour, type and layout, as well as material, texture, image and print finish.
BP&O, in this end of month review, tries to recognise both the smart use of small budgets—those that channel spending into the most appropriate assets—and those projects with a broad and holistic quality, establishing a continuity (conceptual and/or visual) across multiple touch points. Many of the projects share a concise aesthetic expression, yet there is nuance and strategic weight to these, so do click through and read more about each of these.
Throughout the month BP&O also continued to expand on its collections series as another way to jump through to older posts on the site. This included Events and Exhibitions.