The Best of BP&O — Business Cards No.4
Opinion by Richard Baird Posted 31 October 2014
The fourth collection of business cards reviewed and published on BP&O. These typically balance graphic design, material choice and print finish, and utilise colour, type, form and texture contrast to contribute to a distinctive brand identity. As with earlier sets, this selection includes uncoated and coated papers, edge painted detail, surface embosses, foils, metallic inks, dyed, mixed fibre and unbleached boards as well as duplex material processes. Featured studios include Bond, Two Times Elliott, Freytag Anderson and Graphical House.
This post was published as a quick way to browse through BP&O’s content and get access to older but equally interesting projects through different themes, in this case business cards, and expands upon previous posts under the category The Best of BP&O. This series can be subscribed to here or check out more business card galleries here.
MDD9 designed by Two Times Elliott
Alquimie designed by Thought Assembly
Black Visual Archive designed by Fivethousand Fingers
Ryan Edy designed by Founded
Vibe Select designed by Studio Constantine
Partick Dental designed by Freytag Anderson
Seam designed by For Brands
Holzweiler Agency designed by Bielke+Yang
Adrián Key designed by Face
Celestine Eleven designed by Construct
Daniel Juncadella designed by Mucho
The Wedding Belle designed by Ghost
Noam designed by Graphical House
Creagent designed by Bond
Pikseli designed by Werklig
Calepino designed by Studio Birdsall
Weekend designed by RoAndCo
Sebazzo designed by Bunch
Frederik Laux Photography designed by LSDK
Meteorologisk Institutt designed by Neue
University of the Arts Helsinki designed by Bond